I regard the book "Verlorene Werke der Malerei" with its illustrations as a sort of museum. All illustration (=reproduction) replaces the originals. I am going to work with this book/museum.
There will be no finished work! In contrary, the aim is to produce a living work, which is changing constantly. Coincidences and misunderstandings are not only allowed but even wanted. Every intervention into my "reproduction" is permitted, because all coincidences and misunderstandings are a product of the human communication. These "mistakes" are substantial for my reconstructions: their development and their self-destruction are happening simultaneously.
Therefore my work will be inconsistent.
Sincerely, Piotr Nathan