+ pricing info |
All prices listed are in Canadian funds.
For international orders, extra shipping and handling charges may apply. For more information, please contact the gallery at 416.736.5169 or agyu@yorku.ca |
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AGYU BOOKSTORE:
AGYU Exhibition Pamphlets (listed by year of publication)
Click on the ADD TO CART button to start shopping. You will be redirected to the York University Bookstore Website to complete your order.
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2000 |
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AGYU York University Sculpture Collection
$2.00
Includes detailed descriptions of on-campus sculptures.

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1998
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Implicating Possibilities
5 pp, 6 b&w photos
$2.00
This brochure documents the exhibition by the Toronto visual arts collective ALLM, which is composed of David Armstrong, Yam Lau, Gordon Lebredt, and Garry Madlung. Contains artists' statements.

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1994 |

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Marlene Dumas
$5.00
Includes black and white reproductions of Dumas' paintings, along with an essay by Jolie van Leeuwen.

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Cathy Daley
7pp, 6 b&w photos
$2.00
Contains an interview with Cathy Daley by Katarina Berins.

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1993 |

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Zvi Goldstein
$5.00
A brochure produced to accompany the exhibition of Zvi Goldstein, includes writing by the artist.

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1992 |
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Lynne Cohen
4 pp, 3 b&w plates, 1992
$2.00
A brochure produced to accompany an exhibition of recent photographs by Canadian artist Lynne Cohen, includes an essay by Montréal writer Johanne Lamoureux.

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1991 |

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Reading: Public Signs, Private Acts
4pp, 3 b&w plates, 1991
ISBN 0-920872-94-8
$2.00
A brochure produced to accompany an exhibition of work by: Greg Curnoe, Robert Fones, Joseph Kosuth, Gordon Lebredt, Becky Singleton, Michael Snow and Vincent Tangredi, includes an essay by exhibition curator Walter Klepac.

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1990 |

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Diagnosis
4pp, 3 b&w plates, 1990
$2.00
A brochure produced to accompany an exhibition of work by: Marc de Guerre, Mark Lewis, Kiki Smith and Jana Sterbak, includes an essay by exhibition curator Catherine Crowston.

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James Coleman: Box (aahreturnabout)
3pp, 1 b&w plate, 1990
$2.00
A brochure produced to accompany the exhibition of a filmloop installation by Irish artist James Coleman, includes an essay by Toronto writer Dot Tuer.

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