Images that were difficult/impossible to see in the kit:

Paula Modersohn-Becker
Self Portrait with Amber Necklace(1906)
Oil on Canvas Freie Hansestadt Bremen

Artist: Andre Derain Artist's Lifespan: 1880-1954 Title: The Turning Road, L'Estaque Date: 1906 Location of Origin: France
Medium: Oil on canvas Original Size: 4 ft 2 1/2 in x 6 ft 4 1/2 in Style: Fauves (Fauvism) Genre: Landscape

Henri Matisse French, 1869-1954 Bathers with a Turtle, 1908 oil on canvas 70 1/2 x 86 3/4 inches Gift of Mr. and Mrs. Joseph Pulitzer, Jr. 24:1964

Pablo Picasso. Les Demoiselles d'Avignon. 1907. Oil on canvas, 8' x 7'8" (243.9 x 233.7 cm). The Museum of Modern Art, New York. Acquired through the Lillie P. Bliss Bequest. Photograph ©1997 The Museum of Modern Art, New York.

Ernst Ludwig Kirchner (1880 - 1938)
Bathers at Moritzburg 1909-26 Oil on Canvas Tate Gallery, London

Kandinsky Composition IV, 1911

Au Bon Marche. Picasso, Pablo, 1881-1973

“Clarinet and Bottle of Rum on a Mantelpiece" by Georges Braque, 1911

The City Rises 1910 Oil on canvas 78 1/2 x 118 1/2 in (199.3 x 301 cm) The Museum of Modern Art, New York

Gino Severini, Suburban Train Arriving in Paris, 1915, Tate, © ADAGP, Paris, DACS, London 2001

Malevich, Kasimir Black Square [1913] 1923-29 Oil on canvas 41 3/4 x 41 7/8 in. (106.2 x 106.5 cm.) State Russian Museum, St. Petersburg

Monument to the Third International (1920): Vladimir Tatlin

The Revolutionary Avant-Gardes: Dada, Constructivism and Surrealism

Gift, by Kenneth Noland 1962 - Tate Gallery, London

Marcel Duchamp, Bottle Rack , 1914 Lost (re'made' 1961)

Picasso, Mandolin and Clarinet, 1914, (construction of painted wood and pencil, 58 x 36 x 23 cm), Musée Picasso, Paris.

Paul Nash, The Menin Road 1919, Öl auf Leinwand, 182,9 x 317 cm, Imperial War Museum, London.

Haretfield War and corpses - the last hope of the rich, 1932.

"Let us display, then, the Parthenon and the motor car so that it may be clear that it is a question of two products of selection in different fields, one which has reached its climax and the other which is evolving. That enriches the automobile. And what then? Well it remains to use the car as a challenge to our houses and our greatest buildings. It is here that we come to a stop." (Le Corbusier, Vers une Architecture)

I can't find the image that appears in your text, but here is an excellent site:
http://www.getty.edu/research/tools/digital/lissitzky/

"Representation of reality -- without artistic deformation and transformation -- cannot be the subject of painting."
(From Popova's essay in the Catalogue to the 10th State Exhibition: Non-Objective Creation and Suprematism, Moscow 1919).

Vladimir Stenberg Color Construction No. 4, 1920 Oil on canvas, 75x38.5 cm. The State Russian Museum, St. Petersburg © 2000 Foundation for International Arts and Education, Bethesda, MD http://www.fiae.org

Design for the Lenin Corner of the USSR Workers' Club (Rabochii klub SSSR) at the Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris. 1925. Black and red india ink and pasted gelatin-silver photograph on paper, 14 5/16 x 10" (36.3 x 25.5 cm). A. Rodchenko and V. Stepanova Archive, Moscow

http://www.moma.org/exhibitions/rodchenko/texts/workers_club.html

Popova, Textile design (2) (1923)

Dali Metamorphosis of narcissus

Dali The Phenomenon of Ecstasy

Exquisite Corpse Drawing by Yves Tanguy, Man Ray, Max Morise, Joan Miró, c. 1926.

Max Ernst
Europe After the Rain Date: 1940-1942
Medium: Oil on canvas Original Size: 1 ft 9 1/2 in x 4 ft 10 1/4 in

(you can read his obituary here)