Further Reading

Auerbach, Erich, Mimesis. The Representation of Reality in Western Literature. Trs. Willard R. Trask. Princeton, NJ: Princeton University Press, 1953

Bal, Mieke, Reading "Rembrandt": Beyond the Word-Image Opposition. Cambridge: Cambridge University Press, 1991.

-----. Double Exposures. The Subject of Cultural Analysis. New York: Routledge, 1996.

Barker, Emma (ed). Contemporary Cultures of Display. London/New Haven: Yale University Press, 1999.

Barrell, John, The Dark Side of the Landscape. The Rural Poor in English Painting, 1730-1840. Cambridge: Cambridge University Press, 1980.

------. The Political Theory of Painting from Reynolds to Hazlitt. New Haven: Yale University Press, 1986

Baudrillard, Jean, America. London: Verso, 1988.

Baxendall, Michael, Painting and Experience in Fifteenth Century Italy. A Primer in the Social History of Pictorial Style. Oxford: Oxford University Press, 1988.

Bender, Gretchen and Timothy Druckrey. Culture on the Brink: Ideologies of Technology. Seattle: Bay Press, 1994.

Berger, John, Art and Revolution. Harmondsworth: Penguin Books, 1969.

----. Ways of Seeing. London: BBC/Penguin Books, 1972.

----. About Looking. New York: Pantheon Books, 1980.

----. The Sense of Sight. New York:Random House, 1985.

----. Keeping a Rendezvous. New York: Random House, 1991. (With Jean Mohr)

----. Another Way of Telling. New York: Random House, 1995.

Bloom, Lisa ed. With Other Eyes: Looking at Race and Gender in Visual Culture. Minneapolis/London: Universtiy of Minnesota press, 1999.

Bryson, Norman, Word and Image. French Painting of the Ancien Regime. Cambridge: Cambridge University Press, 1980.

----. Vision and Painting. The Logic of the Gaze. London: Macmillan, 1983.

----. Tradition and Desire: From David to Delacroix. Cambridge: Cambridge University Press, 1984.

Burke, Edmund, Reflections on the Revolution in France. London: Penguin Books, 1955.

Cavallaro, Dana. Art for Beginners London: Writers and Readers, 2000.

Cheetam, Mark A., Michale Ann Holly and Keith Moxey. The Subjects of Art History: Historical Objects in Contemporary Perspective. Cambridge: Cambridge University Press, 1998.

Clark, T. J., The Absolute Bourgeois. Artists and Politics in France, 1848 - 1851. London: Thames & Hudson, 1973.

----. Image of the People. Gustave Courbet and the 1848 Revolution. London: Thames & Hudson, 1973.

----. The Painting of Modern Life: Paris in the Art of Manet and his Followers. London:Thames & Hudson, 1985.

Clifford, James, The Predicament of Culture. Twentieth-Century Ethnography, Literature, and Art. Cambridge, MS: Harvard University Press, 1988.

----. Routes. Travel and Translation in the Late Twentieth Century. Cambridge, MS: Harvard University Press, 1997

Cooley, Nicole Ruth. "The Avant-garde at the End of the Century: Gertrude Stein, Postmodernism and Contemporary Women Writers (Kathy Acker, Carole Maso, Theresa Hak Kyung Cha)." Phd. Emory University, 1996.

Cooper, Emmanuel. The Sexual Perspective: Homosexuality and Art in the Last 100 years in the West. London/New York: Routledge, 1986.

Debord, Guy, The Society of the Spectacle. Trs. Donald Nicholson-Smith. New York: Zone Books, 1994.

Dent, Gina (ed.) Black Popular Culture - A Project by Michelle Wallace. New York:DIA Centre for the Arts, 1992.

Edwards, Steve. Art and its Histories: A Reader. London/New Haven: Yale University Press, 1999.

Ferguson, Russell, Mrtha Gever, Trinh T. Monh-ha and Cornel West (eds.) Out There: Marginalization and Contemporary Cultures. Cambridge: MIT Press, 1990.

Fleming, William. Arts and Ideas. New York: Harcourt Brace, 1995.

Golden, Thelma (ed.). Black Male: representations of Masculinity in Contemporary American Art. New York: Whitney Museum of American Art/Harry N. Abrams, Inc.1994.

Greenberg, Reesa, Bruce Ferguson and Sandy Nairn (eds), Thinking about Exhibitions. London:Routledge, 1996

Guerrilla Girls. The Guerrilla Girls Companion to the History of Western Art. New York: Penguin, 1998.

Hauser, Arnold, The Social History of Art. 4 Volumes. London: Routledge, 1962.

Hooker, Denise. Art of the Western World. London: Boxtree, 1989.

hooks, bell, Art on my Mind. Visual Politics. New York: New Press, 1995.

Olalquiaga, Celeste, Megalopolis: Contemporary Cultural Sensibilities. Minneapolis: University of Minnesota Press, 1992

King, Catherine. Views of Difference: Different Views of Art. London/New Haven: Yale University Press, 1999.

Kwon, Miwon (ed.). Tracing Cultures: Art History, Criticism, Critical Fiction. New York: Whitney Museum of American Art/D.A.P., 1994.

Perry, Gill. Gender and Art. London/New Haven: Yale University Press, 1999.

Pollock, Griselda, Avant-Garde Gambits 1888-1893: Gender and the Colour of Art History. London: Thames & Hudson, 1992

Root, Deborah. Cannibal Culture: Art, Appropriation and the Commodification of Difference. Boulder, Colorado: Westview, 1996.

Said, Edward, Orientalism. New York: Random House, 1978

Steven C. Dubbin. Arresting Images: Impolitics Art and Uncivil Actions. New York/London: Routledge,1992.

White, Hayden, Metahistory. The Historical Imagination in Nineteenth-Century Europe. Baltimore: The Johns Hopkins University Press, 1973

Wood, Paul (ed). The Challenge of the Avant-Garde. London/New Haven: Yale University Press, 1999.

Worsley, Peter, Knowledges. What Different Peoples Make of the World. London: Profile Books, 1997.