FACS 4920: Feminist Cultural Theory


Faith Wilding Womb Room 1972

 

ASSIGNMENTS:
Seminar leadership 15% various
Reading journal 20% various
In-class participation 15% ongoing
Draft of major project to readers/pick up colleague's drafts March 11th
Reader reports 10% March18th
Major Project 40% April 1st

Seminar leadership 15%: This course will be run as a seminar and all students will have two opportunities to formally lead the discussion. Your presentations will be in small groups of 2 or 3. You will be required to present orally on a topic of your choice related to the week’s readings and intersecting with your special interests. Illuminate your work with critical insights gained from the term's readings and your preparation for your major project as well as from your focused listening and participation in class discussion. The presentation should be 20-30 minutes in length and include a concluding interlude that opens discussion with other participants in the class.  Give the kind of seminar you’d like to listen to.
 Participation 15% (in-class and online): Being part of an intellectual community means attending class regularly and punctually, reading thoughtfully in advance and involving yourself in class discussions in a way that enables you and other students to learn. All students must also subscribe to the class listserv, called "facs4920". The listserv will be used to circulate announcements and to foster a sense of the intellectual community we are building here. I expect it to be low traffic, but you will use it to share reading responses, if you wish, ask questions, give assistance and share information, advice, resources and announcements. After you are subscribed, to send messages to the listserv address them to "facs4920@yorku.ca". Please give me your preferred email address during our second meeting. If you do not have an email account yet and aren't sure how to get one, please come to see me.

Reading responses: 20%
You are required to respond to readings on a weekly basis. You will record critical responses to the readings and seminars and engage with embedded assumptions and claims made in the readings about gender, feminist practices and 'culture'. Critical responses are designed to aid you in clarifying issues, formulating questions, and articulating your opinion. Write them in a way that will help you to do these things. I recommend a synopsis of the argument with a collection of your questions or reservations at the end -- but I do encourage you to approach this aspect of your coursework as creatively as you like. It would be perfectly appropriate – and helpful to the class – if you would consider posting your responses to the class email list before the class in question.  This would give me the opportunity to see what you’re getting from the material and enable me to direct the seminar to best suit your needs. For those who do not  post to the list, be aware that while I will not collect responses every week,  I will, however, expect you to be prepared to hand in responses or read them aloud every week.  Everyone can have three ‘passes’ – meaning that for whatever reason you may decide not to hand in or read a response.  In weeks where more than one reading is assigned you may elect to respond to only one reading.  Please don’t worry about this aspect of your coursework – if you are keeping up with the readings, the responses needn’t take up much of your time.

Reader Reports 10% This assignment consist of two peer reviews of your classmates' essay drafts. We will discuss how to review drafts in class. On November 2nd, you will finish a good working draft of your essay (or its equivalent) and bring two copies to class to exchange with other students. Over the next week, you will read and comment on these drafts. Complete the reports and return it with the draft of the paper to the author. Each of you will have two peer reviews of your draft essay, then, before you do your final edit with corrections. Hand in the peer reviews and your draft with the final paper so that I can assess the reviews.  Please note that you must participate in this part of the course in order to pass and you must hand your draft in on time.

Major project 40%. This will be either a formal essay or an equally rigorous creative project chosen in consultation with Caitlin. I know that you will bring diverse experiences and perspectives to this class and I am prepared to entertain any ideas you may have.

GROUND RULES
This syllabus lays out deadlines for assignments clearly, and the seminar presentation allows you to choose your own deadline. If any of these dates pose a problem for you, please consult me well in advance to negotiate a different due date. Exceptions can always be made for reasons of domestic affliction or illness, with proper documentation; otherwise, work must be turned in on time.

I encourage you to contact me whenever you are having trouble with your work for this course or would like to bounce your ideas off me. I am in my office regularly on Mondays during the Winter term, but I realize that since you all lead busy lives, these times may not work for you. I am available at other times, too. The best way to ensure that I'll be around is to set up an appointment in advance. Approach me after class, telephone or email me so we can work out something that suits both our schedules.

Academic Honesty:
York Students are subject to policies regarding academic honesty as set out by the Senate of York University and by the Faculty of Fine Arts. Please read the Senate Policy on Academic Honesty in the 'University Policies and Regulations' section of the Undergraduate Programmes Calendar.

 

 

 

Parts of this syllabus are indebted to or from the work of Laura Sullivan and Gregory Ulmer, University of Florida,
and Janice Williamson and Heather Zwicker, University of Alberta.