Course Site for Future Cinema 1 (and sometimes Future Cinema 2: Applied Theory) at York University, Canada
Manovich asks “how is our experience of a spatial form affected when the form is filled with dynamic and rich multimedia information?” Is this intentional architectural choice meant to produce a subtle effect for the individual in which they are incorporated into a dynamic space without any sense of power? Or is this choice deliberately designed to alter the individual’s experience?
Wed, October 11 2017 » Future Cinema
This course examines the shift from traditional cinematic spectacle to works probing the frontiers of interactive, performative, and networked media. Drawing upon a broad range of scholarship, including film theory, communication studies, cultural studies and new media theory, the course will consider how digital technologies are transforming the semiotic fabric of contemporary visual culture. Our focus will be on the phenomenon Gene Youngblood described three decades ago as expanded cinema an explosion of the frame outward towards immersive, interactive and interconnected (i.e., environmental) forms of culture.
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