Faculty Profiles

The Object Image: Adaptation and Interactive Media (forthcoming)

 "Go to Hell: Heroism, the Quick-Time Event, and the Simulated World of Dante's Inferno." All Your History: The Middle Ages and Digital Games. Ed. Daniel Kline. (forthcoming) “

Lumières du Nunavut: visualiser l’archive à l’aide de l’image-objet.” Lumières des Lumière. Ed. Alain Fleischer and Jean-Claude Conésa. (forthcoming) “

Gothic Affects: Digitally Haunted Houses and the Production of Affect-Value.” Popular Ghosts: The Haunted Spaces of Everyday Culture. Ed. Maria del Pilar Blanco and Esther Peeren. New York: Continuum, 2010. 213-224.             

“La mémoire projetée: l’image-archive et l’art écranique in situ.” Ensemble ailleurs / Together Elsewhere. Ed. Pierre Tremblay and Louise Poissant. Quebec City: Presses de l’Université du Québec, 2010. 265-272. “

Site-Specific Screening and the Projection of Archives: Robert Lepage’s Le Moulin à images.” Public: Art/Culture/Ideas 40 (2010): 70-82. “

‘It’s the End of the World!’: The Paradox of Event and Body in Hitchcock’s The Birds.” Film-Philosophy 14.1 (2010): 144-173. “

Between Creation and Preservation: The ANARCHIVE Project.” Convergence: The International Journal of Research into New Media Technologies 15.3 (2009): 315-331.

 “Archiving the Gaze: Relation-Images, Adaptation, and Digital Mnemotechnologies.” Save As…Digital Memories. Ed. Joanne Garde-Hansen, Andrew Hoskins, and Anna Reading. New York: Palgrave Macmillan, 2009. 115-128.

 “‘Disparaître, dit-elle’: The Vanishing of Lol V. Stein as (Dis)Embodied Haunting and Invisible Spectacle.” In the Dark Room: Marguerite Duras and Cinema. Ed. Rosanna Maule and Julie Beaulieu. New York: Peter Lang, 2009. 173-190.

 “Cultural Recycling, Performance, and Immediacy in Philip Glass’s Film Music for Godfrey Reggio’s Qatsi Trilogy.” Sound and Music in Film and Visual Media: A Critical Overview. Ed. Graeme Harper. New York: Continuum, 2009. 493-504.

 “Hypermedia Macbeth: Cognition and Performance.” Macbeth: New Critical Essays. Ed. Nick Moschovakis. New York: Routledge, 2008. 318-334.  

“Missed Encounters: Film Theory and Expanded Cinema.” Refractory: A Journal of Entertainment Media 14 (2008). http://blogs.arts.unimelb.edu.au/refractory/2008/12/26/missed-encounters-film-theory-and-expanded-cinema-–-bruno-lessard/