Intensions

Table Of Contents

• Issue 4.0 – Performance, Revolution, Pedagogy: Theatre and Its Objects

Note From The Editor

• Performance, Revolution, Pedagogy: Theatre and Its Objects
  Edited by:
  Michelle Bigenho, Hampshire College (School of Critical Social Inquiry)
  Alberto Guevara, York University (Fine Arts Cultural Studies and Theatre)

Articles

• Queer is in the Eye of the Newcomer: Mapping Performances of Place
  Liz Miller, Concordia University (Communication Studies)
• Local Stagings, Global Productions: The Theatricality of Food Rituals in Landless Movement
  Nicole Fabricant, Towson University (Department of Anthropology/Sociology)
• The Absence Made Visible: the Case of Ausenc^•as Gustavo Germano’s Photographic Exhibition
  Celina Van Dembroucke, University of Texas at Austin (Institute of Latin American Studies)
• Revealed By Fire, One Woman’s Narrative of Transformation
  Susan McNaughton, York University (Department of Anthropology)
• Authentic Performance as a Challenge to the State
  Eric Ronis, Champlain College (Division of Communication and Creative Media)

Works

• A Silence Full of Things
  Alejandra Canales, Sydney (NSW, Australia)
• One Dollar Click and Borders
  Alexandra Gelis, Caracas/Toronto (Venezuela/ON, Canada)
• Sangre (Blood)
  Olga Barrios, Bogota (Colombia)
• Ati-atihan: Mother of Philippine Festivals
  Patrick Alcedo, Toronto (ON, Canada)

Call For Papers⁄Art