Table Of Contents
Note From The Editor
I. Contemporary Problematiques: Tensions Slavery, Colonization, and Accumulation
- The Social Life of Social Death: On Afro-Pessimism and Black Optimism
- The Vengeance of Vertigo: Aphasia and Abjection in the Political Trials of Black Insurgents
- Chanting Tahreer and Compassion: People as Poetry
- The Wages of Non-Blackness: Contemporary Immigrant Rights and Discourses of Character, Productivity, and Value
II. Intimate Poetics
Poems
- Freedom
Radio Gaza
Morning in the Streets
A Drawing of Breathing
A Guide to Being Palestinian - Document for U.S. Citizens Who Have Never Applied for a Visa and Have Just About Had It with These Aliens Who Go On and On about Some Letter
Deep English
and Autumn Leaves
Works
III. Erotics of Co-Existance: Paintings/Photography
Call For Papers⁄Art
Document for U.S. Citizens Who Have Never Applied for a Visa and Have Just About Had It with These Aliens Who Go On and On about Some Letter; Deep English; and Autumn Leaves (3 Poems)
Tsitsi Ella Jaji, University of Pennsylvania (Departments of English and Africana)
Download Tsitsi Ella Jaji’s Poems
Document for U.S. Citizens Who Have Never Applied for a Visa and Have Just About Had It with These Aliens Who Go On and On about Some Letter
It is not like going to the bank.
There are no hard candies in a basket made in China,
And no Kleenexes on the counter.
There is no refund if someone forgets to wish you a good day.There are no chairs for the aged, no toys for two-year olds with earache, no supervisor to speak to in case of the
Absurd.There are no meal vouchers if it takes all day,
No list of local hotels with a negotiated rate.
No one wants to know if you are a doctor.Plastic is not magic. Seals are not signs.
Your cousin’s wedding is not relevant.And it is always your fault: not enough planning,
The wrong color passport, the misplaced stressIn a word.
Deep English
Walk through the edges,
circumvent center
(circle the square, so to speak)Having parted ways with the crossroad,
take each path offered, and unite into
a thousand thousand fragmentsStutter in the tongues of men and angels.
Spit out the truth:
How the Honorific Title “Mad Woman” Was Won.Destitute, discover the ancestral home, and
sit down to fast sumptuously at the
high table.Comforted, stare into the mirror
that divisioned all these years,
the mirror that melts in the mouth.Now, speak clearly.
Autumn Leaves
1. Preservation Hall
Who knew that, behind that flammable screen, the coals were hurriedly swallowing roses.
Whole.2. Parabola
Look on, you greedy nightmoths.
And learn what comes of flying /:
too close to the flame.Consider the mounded ash:
so many wings
once wore their silks
so haughtily.
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pride first.3. Memo : --/Today/----
RE: The danger is not that the wild Fire can storm .-.| .-..-- | .- across highways like a
wall of ochred water {..-.-.|-.}, spewing the stinging brine of smoke \\\\\*.*| .
The danger is that, years later, beneath the sooty footprints of retreating forests, we
Ember-roses—all too quiet—will remember it [-.-..--..5?3 4…] like so many
Yesterdays.
Artist Bio
Originally from Zimbabwe, Tsitsi Jaji teaches literature in the English and Africana departments at University of Pennsylvania, Philadelphia. She is currently completing a scholarly book entitled Africa in Stereo: Transnational Black Solidarity and the Musical Mediums of Modernity.