Archive > Spring 1997
The Journal of Pre-Raphaelite Studies
| Volume 6 | New Series | Spring 1997 |
Contents
| The Rossetti Archive and Image-Based Electronic Editing | Jerome McGann | 5 |
| The Rossetti Hypermedia Archive: An Introduction | Jerome McGann | 22 |
| The Silent Priest: Rossetti’s “A Last Confession” | Christopher S. Nassaar | 33 |
| Displaced and Absent Texts as Contexts for Christina Rossetti’s Manna Innominata |
Linda Schofield | 38 |
| Aesthetic Perversions and Swinburne’s “Les Noyades” | Karen Alkalay-Gut | 53 |
| The Musical Analogy in Beardsley Criticism 1898-1914 | Jane Haville Desmarais | 65 |
| The Grosvenor Gallery | Julie F. Codell | 91 |
| Pre-Raphaelite Art in Its European Context edited by Susan Casteras and Alicia Craig Faxon |
Dianne Sachko Macleod | 99 |
| Queen Victoria’s Secrets by Adrienne Munich | Walter L. Arnstein | 102 |
| Work of Charles Samuel Keene by Simon Houfe | Christopher Kent | 103 |
| Sir John Tenniel by Roger Simpson | Susan Thach Dean | 106 |
| Artist as Critic: Bitextuality in Fin de Siécle Illustrated Books by Lorraine Janzen Kooistra |
Roger Peattie | 108 |
| Notes on Contributors | 111 |