{"id":9237,"date":"2016-06-22T09:01:57","date_gmt":"2016-06-22T13:01:57","guid":{"rendered":"http:\/\/advancement.yorku.ca\/?p=9237"},"modified":"2016-06-22T09:01:57","modified_gmt":"2016-06-22T13:01:57","slug":"the-world-needs-you-more-than-ever-acclaimed-director-jillian-keiley-tells-grads","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/alumniandfriends\/2016\/06\/the-world-needs-you-more-than-ever-acclaimed-director-jillian-keiley-tells-grads\/","title":{"rendered":"\"The world needs you more than ever,\" acclaimed director Jillian Keiley tells grads"},"content":{"rendered":"

Making art is an act of courage and bravery said Canadian theatre director Jillian Keiley (BFA Spec. Hons. '94) to graduates of the School of the Arts, Media, Performance & Design (AMPD) and the Faculty of Liberal Arts and Professional Studies. Keiley spoke to grads on June 21 during spring convocation ceremonies.<\/p>\n

\"Jillian

Jillian Keiley<\/p><\/div>\n

An alumna of York's Theatre Program, Keiley was at York University to receive an honorary doctor of letters degree in recognition of her important role in Canadian culture and theatre.<\/p>\n

In a stirring and spirited address, Keiley praised graduands, their parents and friends. \u201cSeeing 600 new champions of art in front of you here today might make you think there\u2019s no way they\u2019ll make it \u2013\u00a0they\u2019ll starve, critics will attack them, I think she\u2019s good but that\u2019s my daughter, my opinion doesn\u2019t count,\u201d Keiley said. \u201cOh yes it does! You are the primary audience, our first audience and for many of us, the most important one. Don\u2019t forget that.\u201d<\/p>\n

What the world needs now is not less art that more people will agree on, but instead, more art that serves the diverse backgrounds, tastes and souls of a multi-generational, multi-cultural, multi-aesthetic society, said Keiley.<\/p>\n

\u201cWe need you, graduates, your unique take on things, and with that we will begin the work of serving diverse audiences who don\u2019t necessarily share the taste and culture of art consumers past,\u201d she said. \u201cAnd we need to also continue to serve traditional art consumers. Parents and friends don\u2019t worry \u2013 there is not some finite number of audience members in the world. As our expression of culture expands, so will the audiences who enjoy it.\u201d<\/p>\n

The new graduates are fortunate, said Keiley, as they can offer more variety, style, culture and opportunities for diverse art forms for more audiences. \u201cA great mistake of our culture has been to rarify certain elements of class, society and art and suggest that this is the best audience experience for everybody. Doesn\u2019t it always depend on the audience?\u201d<\/p>\n

She spoke about AMPD Professor Michael Greyeyes who has spoken about \u201cdecolonizing movement.\u201d Greyeyes who is both a First Nations man and professionally trained ballet dancer is curious as to why the languid lines created in ballet are determined more \u201cbeautiful\u201d than the muscular pulse of First Nations powwow dancing. \u201cI propose the determination can only be decided by the real audience at that moment in time,\u201d she said. \u201cEach individual expression is made, not to be rated on a scale to the highest pinnacle but to be to be appreciated to be exactly what it is \u2013 an expression that individual audience members experience, some to their dissatisfaction some to their delight.\u201d<\/p>\n

\"AMPD

AMPD Dean Shawn Brixey congratulates Jillian Keiley<\/p><\/div>\n

When she began her remarks, Keiley read from a list of reviews of her work. The founder of Artistic Fraud of Newfoundland, she has directed and taught across Canada and has worked internationally. She is the artistic director of the National Arts Centre (NAC) English Theatre, a position she has held since 2012.\u00a0Keiley received the prestigious Siminovitch Prize in Theatre (directing) in 2004 and the Canada Council\u2019s John Hirsch Prize in 1997. Despite this acclaim, she's experienced both positive and negative reviews of her work and is pragmatic about the accolades and the criticism.<\/p>\n

\"None of critics I quoted earlier were wrong in their interpretations of my recent productions, except, each should have offered the opening caveat \u2013 'for me.' \u00a0No one really has the authority to say a piece of art IS<\/em> good or bad. It can only ever be in their opinion. The 'for me' is essential, and other individuals can decide if they align or not. 'For me Jillian Keiley\u2019s direction turns powerful story into mishmash.' \u00a0Fair enough. 'For me this is the best Shakespeare.' Fantastic, but again has everything in the world to do with you, an individual in\u00a0 the audience, an entity which has not one head or heart but holds as many experiences and opinions as seats that are filled.\"<\/p>\n

\"Jillian

Jillian Keiley<\/p><\/div>\n

\"I learned so much from my teachers here \u00a0\u2013 but I learned just as much from my classmates as we figured things out together. \u00a0The biggest thing I learned is \u2013 you are only as good as the people around you,\" said Keiley. \u00a0\"My collaborators at Artistic Fraud in Newfoundland are the soul of the reason I\u2019m lucky enough to be here in front of you today. At the National Arts Centre I am extremely lucky to work with people who educate and inspire me every single day.\"<\/p>\n

She urged parents and friends of the graduates to continue to support their daughters, sons and friends. \"You heard the kind of comment and criticism artists can receive \u2013\u00a0you know that these brilliant young souls are bravely walking out into either a firing squad or a parade \u2013\u00a0and we can\u2019t know which til the curtain goes down. Walk up to them at their opening, their book release or their launch and tell them that they are wonderful. You never have to add the prefix \u2018for me'. It\u2019s just simply, your work is wonderful. \u00a0You can just silently know the 'for me' part because it is, as always, for you.\"<\/p>\n

York's 2016 spring convocation ceremonies are\u00a0streamed live<\/a>\u00a0and then archived online. Keiley's\u00a0convocation address will be archived at the conclusion of spring convocation ceremonies. To view her\u00a0address, visit the Convocation webcast\u00a0archive<\/a>.<\/p>\n

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