{"id":34115,"date":"2019-09-06T04:00:00","date_gmt":"2019-09-06T08:00:00","guid":{"rendered":"https:\/\/www.yorku.ca\/researchdev\/2019\/09\/06\/qa-with-composer-reveals-how-and-why-she-transformed-a-wwi-tragedy-into-song-2\/"},"modified":"2025-01-30T09:09:12","modified_gmt":"2025-01-30T14:09:12","slug":"qa-with-composer-reveals-how-and-why-she-transformed-a-wwi-tragedy-into-song-2","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/research\/2019\/09\/06\/qa-with-composer-reveals-how-and-why-she-transformed-a-wwi-tragedy-into-song-2\/","title":{"rendered":"Q&A with composer reveals how and why she transformed a WWI tragedy into song"},"content":{"rendered":"

Stephanie Martin, of the School of the Arts, Media, Performance & Design, chats with <\/em>Brainstorm about her powerful opera about a Canadian hospital ship that was torpedoed in June 1918. This is how history comes to life.<\/em><\/strong><\/p>\n

Where does a composer look for inspiration? For York University Professor Stephanie Martin, an accomplished composer and conductor in the Department of Music, history provides fertile ground. Captivated by the true story of a Canadian hospital ship, the Llandovery Castle, torpedoed by a German U-boat in the Celtic Sea on June 27, 1918, she chose to write an opera, with librettist Paul Ciufo, to commemorate the nurses of the ill-fated ship.<\/p>\n

\n

\"Stephanie<\/p>\n

Stephanie Martin<\/p>\n<\/div>\n

One hundred years after the June 1918 tragedy, and with funding from the Canada Council for the Arts, Martin\u2019s opera premiered in two workshop performances in Toronto. It was met by enthusiastic audiences and critical praise. Clearly, Martin\u2019s love of history shines through this production, making a forgotten event from the past all the more accessible, vivid and emotionally charged.<\/p>\n

A composer and musician with recordings on the Naxos, Marquis and Dorian labels, Martin sits down with Brainstorm<\/em> to discuss the opera.<\/p>\n

Q: What was the genesis of The Llandovery Castle<\/em>?<\/strong><\/p>\n

A:<\/strong> I visited France and Belgium in 2014 to help friends research family history from the First World War. We visited many Commonwealth cemeteries. Being in Europe, seeing those Canadian graves, and witnessing how those villages still remember us was an epiphany. I returned home with a new awareness of the impact of that terrible war.<\/p>\n

In 2015, in Toronto\u2019s Calvin Church, I noticed a plaque dedicated to the memory of a woman \u2013 Mary Agnes McKenzie \u2013 inscribed with a story of the Llandovery Castle hospital ship. I thought: This is an important Canadian story, one dramatic enough for an opera.<\/p>\n

\n

\"HMHS<\/p>\n

HMHS Llandovery Castle (image: Wikipedia)<\/p>\n<\/div>\n

Q: The story centres around three strong female characters \u2013 Margaret \u201cPearl\u201d Fraser; the matron of the ship, Minnie \u201cKate\u201d Gallagher; and Rena \u201cBird\u201d McLean. Tell us about them.<\/strong><\/p>\n

A:<\/strong> As the daughter of the lieutenant-governor of Nova Scotia, Pearl was in charge. She drives the drama, since she must determine who\u2019s mentally stable enough to return to the front. The hospital ship was a relatively easy assignment because the return trip to Europe had no wounded on board. The nurses could recuperate somewhat from the PTSD (post-traumatic stress disorder) they suffered.<\/p>\n

Many of them had served together in Salonika \u2013 a horrible experience, treating the wounded without proper facilities, medicine or sufficient water. Many were assigned to hospital ships to recover from that constant trauma.<\/p>\n

Q: You connected with these characters, and even visited their hometowns.<\/strong><\/p>\n

A:<\/strong> Yes. I visited New Glasgow, Nova Scotia, Pearl\u2019s hometown, for a commemorative presentation to the mayor and the town council.<\/p>\n

I also visited Prince Edward Island \u2013 Bird\u2019s hometown of Souris. I joined a gathering of the McLean clan, visiting Bird\u2019s memorials, her family home and the site of a former hospital named after her in Charlottetown. Bird\u2019s relatives travelled from all corners of Canada, from the Yukon to the East Coast, to attend the opera and to pay tribute to her.<\/p>\n

\n

\"The<\/p>\n

The nurses on the ill-fated ship. Left to right: \u201cPearl\u201d Fraser, \u201cKate\u201d Gallagher and \u201cBird\u201d McLean (image: \u00a9 Imperial War Museums)<\/p>\n<\/div>\n

Q: Can you describe the process of writing this nine-character opera?<\/strong><\/p>\n

A:<\/strong> This project was not an ideal model for writing a major work. We had an impossible deadline. I met Paul Ciufo in July 2017, and the commemoration of the event was June 2018. That\u2019s really not enough time to write an opera! Usually it\u2019s more methodical \u2013 the research is undertaken and the libretto is developed, and only then one starts writing music. But we were so motivated, totally charged up and devoted to getting some kind of public airing on the very day of the 100th commemoration.<\/p>\n

Paul would write a scene, and then I would grab it and set it to music. Some of the scenes were composed before the ending was written. But, though our method was unconventional, I think there was a freshness and vigour to our process that comes through in the final product.<\/p>\n

Q: What\u2019s next?<\/strong><\/p>\n

A:<\/strong> There will be performances of Llandovery Castle on Feb. 28, 29 and March 1, 2020, at Wilfrid Laurier University.<\/p>\n

Paul and I have teamed up again to write a new piece for the 100-voice Pax Christi Chorale. It will premiere on Nov. 2 in Toronto. It\u2019s based on Aesop\u2019s fable The Sun, the Wind, and the Man with the Cloak.<\/em><\/p>\n

Paul and I are also working on our third and fourth venture. It has turned out to be a very fruitful partnership. We aspire to become the Gilbert and Sullivan of Ontario!<\/p>\n

Q: How has York University supported your work?<\/strong><\/p>\n

A:<\/strong> This opera wouldn\u2019t exist if I hadn\u2019t had a sabbatical year to compose, to travel, and meet the families and look at primary sources. I\u2019m indebted to York for supporting my creative work.<\/p>\n

To be recognized at the research leaders event, hosted in April 2019 by the President\u2019s Office and the Office of the Vice-President Research & Innovation, was wonderful. It\u2019s a great privilege to know that York University acknowledges that what I\u2019m doing is meaningful.<\/p>\n

To learn more about the opera, visit the Martin\u2019s blog<\/a> or the opera\u2019s website<\/a>. To learn more about Martin, visit her faculty profile page<\/a>.<\/p>\n

To learn more about Research & Innovation at York, follow us at @YUResearch<\/a>; watch our new animated video<\/a>, profiling current research strengths and areas of opportunity such as artificial intelligence and Indigenous futurities; and see the snapshot infographic<\/a>, a glimpse of the year\u2019s successes.<\/p>\n

By Megan Mueller, senior manager, research communications, Office of the Vice-President Research & Innovation, York University, muellerm@yorku.ca<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Stephanie Martin, of the School of the Arts, Media, Performance & Design, chats with Brainstorm about her powerful opera about a Canadian hospital ship that was torpedoed in June 1918. This is how history comes to life. Where does a composer look for inspiration? 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