{"id":182988,"date":"2013-03-12T14:55:10","date_gmt":"2013-03-12T18:55:10","guid":{"rendered":"https:\/\/yfiledev.uit.yorku.ca\/?p=182988"},"modified":"2025-04-02T09:38:34","modified_gmt":"2025-04-02T13:38:34","slug":"documentary-film-by-york-dance-prof-profiles-the-colourful-religious-festival-ati-atihan","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/yfile\/2013\/03\/12\/documentary-film-by-york-dance-prof-profiles-the-colourful-religious-festival-ati-atihan\/","title":{"rendered":"York dance prof profiles the colourful religious festival Ati-atihan in film"},"content":{"rendered":"

If \"Atiaithan_livesyou judge a film by its publicity poster, you\u2019ll certainly be intrigued by one\u00a0that features an 80-year-old man wearing a feather boa \u2013 not to mention sequins and a pink skirt \u2013 dancing in a parade.<\/p>\n

\"He passed away a few years ago but he was in his early 80s when he did that. Can you imagine? He danced for three days in that costume!\u201d said Patrick Alcedo<\/a>, professor in the Department of Dance at York University.<\/p>\n

The gentleman in the pink feather boa was participating in the Ati-atihan Festival, held annually in mid-January in Alcedo\u2019s hometown, Kalibo, the capital of Aklan province in the Philippines. The festival is also celebrated in diasporic locales, such as Toronto and Vancouver, where Filipinos from Kalibo have emigrated.<\/p>\n

Ati-atihan<\/a>, a hybrid and layered performance of pre-colonial and colonial traditions, as well as the carnivalesque and the modern, which come together under one banner in a simultaneous celebration of the Santo Ni\u00f1o<\/em>\u00a0(Spanish for Holy Child) and the indigenous Ati people.<\/p>\n

While some journalists have described the festival as the Mardi Gras of the Philippines, Ati-atihan is distinct and highly complex, said Alcedo.\u00a0Aside from being an opportunity for participants to dance in the streets and to attract tourists to the town, it\u2019s a religious celebration as well as an honour and a gesture back to pre-colonial Philippines through the Aboriginal population.<\/p>\n

Alcedo, a dance ethnographer, has made a documentary film about the festival. His production, Ati-atihan Lives<\/i>, will be screened at York University in the McLean Performance Studio in Accolade East Building on March 17 at 2pm and March 19 at 4pm.<\/p>\n

Ati-Atihan Lives<\/a><\/em> from Patrick Alcedo<\/a> on Vimeo<\/a>.<\/p>\n

The idea to focus his research on the Ati-atihan Festival began with Alcedo\u2019s need to understand his own culture. The footage for the documentary was initially shot for Alcedo\u2019s own documenting purposes during research for his PhD dissertation. It soon became clear that the film recording added a whole new dimension to the festival.<\/p>\n

\u201cIt was not totally different, but it articulated different emotions \u2013 things that I could not have captured through writing,\u201d said Alcedo.<\/p>\n

\"Alcedo_patrick\"Patrick Alcedo<\/strong><\/p>\n

\u201cWhile the characters that viewers encounter in the film come from very different gender, sexual and economic backgrounds, the festival brings them together,\u201d Alcedo said. \u201cIt allows for a group, but also for difference, to be foregrounded and understood through performance ... It\u2019s a kind of festival that actually values difference and it's a difference that people perform.\"<\/p>\n

Despite the fact that the Catholic Church and regional authorities maintain a certain amount of control over the Ati-atihan Festival management and structure, there is also a space for what Alcedo describes as temporal and spatial \"inversion [which] happens through or on the body, or even within the body.\"<\/p>\n

\"Atiatihanimage-storyPatrick Alcedo (centre) with Ati-atihan\u00a0Festival participants<\/strong><\/p>\n

Alcedo stresses the importance of remaining conscious of his ongoing relationship with the community and giving back to them when possible. Those attending the screenings of his film are invited to make a $5 donation, which will go towards a scholarship fund for the elementary education of indigenous Ati children in Kalibo.<\/p>\n

Alcedo is the recipient of the Young Professional Award for his outstanding contribution to the Filipino-Canadian community, awarded by Filipino Centre of Toronto. He currently holds a research\/creation grant from the Social Sciences\u00a0& Humanities Research Council of Canada (SSHRC)\u00a0for his work on performance, immigrant identities and emotional labour among Filipino caregivers in Toronto.<\/p>\n

\"atiatihanimageCROWD-storyimage\"Ati-atihan is a hybrid and layered performance of pre-colonial and colonial traditions, as well as the carnivalesque and the modern<\/strong><\/p>\n

Another result\u00a0of his SSHRC-funded research will be another documentary film, A Piece of Paradise<\/i>, about the transnational lives of Filipino caregivers in Toronto. A preview will be shown at the screenings of Ati-atihan Lives<\/i>.<\/p>\n

The film presentations are co-sponsored by the Department of Dance at York University and the York Centre for Asian Research (YCAR). They are part of YCAR\u2019s Diversity, Rights and Religion in Asia series, which convenes a discussion on issues of cultural, gender and religious diversity, and the rights of minority groups, which are prevalent concerns in many Asian societies and among Asian ethnic communities around the world.<\/p>\n

For more information, visit the YCAR<\/a> website\u00a0or e-mail ycar@yorku.ca<\/a>.<\/p>\n

Submitted\u00a0by Marion\u00a0Thompson, masters candidate in social anthropology at York University.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

The film Ati-atihan Lives<\/i>, created by York dance Professor Patrick Alcedo, documents the annual festival in Kalibo, Philippines. 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