{"id":226891,"date":"2016-01-20T22:16:28","date_gmt":"2016-01-21T03:16:28","guid":{"rendered":"https:\/\/yfiledev.uit.yorku.ca\/?p=226891"},"modified":"2025-04-02T10:27:20","modified_gmt":"2025-04-02T14:27:20","slug":"performing-indigeneity-theatre-york-raises-brebeufs-ghost","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/yfile\/2016\/01\/20\/performing-indigeneity-theatre-york-raises-brebeufs-ghost\/","title":{"rendered":"Performing Indigeneity: Theatre @ York raises Brebeuf's Ghost"},"content":{"rendered":"

Award-winning Algonquin\/M\u00e9tis director and playwright Yvette Nolan<\/strong> helms Theatre @York\u2019s compelling new production of\u00a0Br\u00e9beuf\u2019s Ghost<\/em><\/strong>,\u00a0\u201ca tale of horror in three acts\u201d by\u00a0internationally renowned Aboriginal playwright Daniel David Moses<\/strong>. The show previews from Jan. 24, opens<\/strong> Jan. 26<\/strong> and runs to Jan. 30<\/strong> in the Joseph G. Green Studio Theatre at York University\u2019s Keele campus.<\/p>\n

\"Jean

Jean de Br\u00e9beuf<\/p><\/div>\n

Br\u00e9beuf\u2019s Ghost <\/em>is a poetic and powerful story of the survival of\u00a0Indigenous culture in the face of colonial oppression and destruction. The play is set in 1649 at Lake Nipissing, where the First Nations communities are at war with Christian missionaries. Worlds are colliding. On top of everything, the ghost of the Jesuit missionary Jean de Br\u00e9beuf, killed earlier in the year in Huronia, has returned.<\/p>\n

With Br\u00e9beuf\u2019s Ghost<\/em>, Moses depicts a dark but ultimately healing vision of early Canada. The audience is drawn in to witness an intensely theatrical epic that reveals the shattering consequences of the collision between native and non-native cultures, traditions and social structures.<\/p>\n

Nolan hopes audiences will truly experience the world that Daniel David Moses has created in Br\u00e9beuf\u2019s Ghost<\/em>.<\/p>\n

\u201cI\u00a0think it\u2019s really important to understand that this story is our story \u2013 the story of all Canadians\u201d, she said. \u201cIt\u2019s about contact between the Indigenous people and the people who came over to these lands. What I want audiences to take away from the experience of the play is an understanding of how we got to 2016.\u201d<\/p>\n

\"Ben

Ben Siapas and Larissa Currie in rehearsal for Br\u00e9beuf\u2019s Ghost. Credit: Ashley Elliott<\/p><\/div>\n

For Br\u00e9beuf\u2019s Ghost<\/em>, Nolan directs a talented young cast drawn from the fourth year Acting Conservatory in York\u2019s Department of Theatre. Upper-year undergrads make up the creative team handling all aspects of production design and execution, including sets, costumes, lighting and an original soundscape.<\/p>\n

Daniel David Moses is registered as a Delaware Indian, though he hails from the Six Nations lands located on the Grand River near Brantford, Ontario.<\/strong> An alumnus of York University\u2019s Theatre program, he is one of Canada\u2019s foremost playwrights. He has been hailed as \u201c\u2026 a coroner of the theatre who slices open the human heart to reveal the fear, hatred and love that have eaten away at it\u201d (The Globe and Mail<\/em>). His plays include Almighty Voice and his Wife<\/em>, Coyote City<\/em>, The Witch of Niagara<\/em>, and The Indian Medicine Shows. A two-time nominee for the Siminovitch Prize in Theatre, he received the Ontario Arts Council\u2019s Aboriginal Arts Award in 2015. <\/em>He divides his time between Toronto, where he writes, and Kingston, where he teaches in the Department of Drama at Queen\u2019s University.<\/p>\n

\"The

The maquette, or set design model for Br\u00e9beuf\u2019s Ghost, designed by fourth year theatre student Tenihkie Brant, is inspired by the Northern Lights and the granite around Lake Nipissing<\/p><\/div>\n

Director, playwright, dramaturg, actor and educator Yvette Nolan is a major force in the creation and performance of Aboriginal theatre in Canada. Born in Prince Albert, Saskatchewan, to an Algonquin mother and an Irish immigrant father, she has worked with theatre companies across the country, including Winnipeg\u2019s Manitoba Theatre Centre; Nakai Theatre and Gwaandak Theatre in Whitehorse, Yukon; Eastern Front Theatre in Dartmouth, Nova Scotia; and Toronto\u2019s Native Earth Performing Arts, where she served as managing artistic director from 2003 to 2010. \u00a0Her directing credits include the\u00a0 Western Canada Theatre Company\/National Arts Centre co-production of George Ryga\u2019s The Ecstasy of Rita Joe<\/em>; The Only Good Indian<\/em> for Turtle Gals Performance Ensemble; and Death of Chief<\/em>, A Very Polite Genocide<\/em> and Tombs of the Vanishing Indian<\/em> for Native Earth Performing Arts. She has been writer\/playwright-in-residence at Brandon University, the NAC, Mount Royal College and the University of Regina. Her honours include the George Luscombe Award for mentorship in professional theatre, Bob Couchman Award for direction, Jessie Richardson Award for outstanding original script, and Mallory Gilbert Leadership Award. Later this season, Theatre @ York will present her adaptation of Aristophanes\u2019 The Birds<\/em>, recast as a tale of Indigenous and settler relationships on Turtle Island.<\/p>\n

Br\u00e9beuf\u2019s Ghost<\/em><\/strong> is presented under the auspices of Performing Indigeneity, the Department of Theatre\u2019s thematic focus for 2015-16. In Theatre @ York productions, the Performance Studies (Canada) Speaker Series, curriculum and classroom dialogue, the department is exploring questions raised by Indigenous performance, including interculturalism, indigenous protocols, post-colonialism, and the staging of ethnicity. York\u2019s theatre program joins the national conversation undertaken by the country\u2019s most influential theatre organizations and leads the nation in addressing how postsecondary theatre training intersects with Canada\u2019s Indigenous peoples and the diversity of their artistic practices.<\/p>\n

Admission is $20 for the general public and $12 for students and seniors. Preview tickets are $7. There is a group rate of $10 (for groups of 10 or more; not available through online purchase \u2014 call the box office). For ticket information, contact the Box Office online<\/a>\u00a0or call 416-736-5888.<\/p>\n","protected":false},"excerpt":{"rendered":"

Brebeuf's Ghost is a powerful story of the survival of Indigenous culture in the face of colonial oppression. The show previews from Jan. 24, opens Jan. 26 and runs to Jan. 30 in the Joseph G. Green Studio Theatre at the Keele campus.<\/p>\n","protected":false},"author":5,"featured_media":226892,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[25],"tags":[58,32,29],"yfileauthor":[],"qualifier":[],"yfile-author":[],"tags-to-show":[172,149,145],"workflow":[],"class_list":["post-226891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editors-picks","tag-ampd","tag-bipoc","tag-community","tags-to-show-ampd","tags-to-show-bipoc","tags-to-show-community"],"acf":{"internal_publish_date":null,"original_image":null},"yoast_head":"\nPerforming Indigeneity: Theatre @ York raises Brebeuf's Ghost - YFile<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.yorku.ca\/yfile\/2016\/01\/20\/performing-indigeneity-theatre-york-raises-brebeufs-ghost\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Performing Indigeneity: Theatre @ York raises Brebeuf's Ghost - YFile\" \/>\n<meta property=\"og:description\" content=\"Brebeuf's Ghost is a powerful story of the survival of Indigenous culture in the face of colonial oppression. 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