{"id":301478,"date":"2022-03-09T14:58:17","date_gmt":"2022-03-09T19:58:17","guid":{"rendered":"https:\/\/yfile.news.yorku.ca\/?p=301478"},"modified":"2025-04-02T12:11:28","modified_gmt":"2025-04-02T16:11:28","slug":"rebecca-salazar-discusses-the-entanglement-of-environment-and-bodies-within-her-poetry","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/yfile\/2022\/03\/09\/rebecca-salazar-discusses-the-entanglement-of-environment-and-bodies-within-her-poetry\/","title":{"rendered":"Rebecca Salazar discusses the entanglement of environment and bodies within her poetry"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" id=\"on-feb-15-canadian-poet-rebecca-salazar-visited-the-canadian-writers-in-person-series-at-york-to-read-from-and-talk-about-her-poetry-collection-sulphurtongue-york-university-teaching-assistant-dana-patrascu-kingsley-sent-the-following-report-to-yfile\">On Feb. 15, Canadian poet Rebecca Salazar visited the Canadian Writers in Person series at York to read from and talk about her poetry collection <em>sulphurtongue<\/em>. York University teaching assistant <strong>Dana Patrascu-Kingsley<\/strong> sent the following report to <em>YFile<\/em>.<\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"271\" height=\"400\" src=\"https:\/\/yfile.news.yorku.ca\/wp-content\/uploads\/2022\/03\/sulphurtongue.jpg\" alt=\"sulphurtongue book cover\" class=\"wp-image-301480\"\/><figcaption>Cover of <em>sulphurtongue<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<p>Rebecca Salazar's poetry collection <em>sulphurtongue<\/em> contains over 10 years of poems through which the poet said that her younger self processed \u201chow to be in good relation with the damaged world, how to be in good relation through the traumas of colonialism, racism, rape culture, cis-hetero-patriarchy. To speak honestly, the more I write and learn, the less I can really name these oppressions as separate entities.\u201d<\/p>\n\n\n\n<p>In <em>sulphurtongue<\/em>, Salazar ponders on what it means to be in good relation with the land, with Indigenous peoples, with other people, with everything in our environments. \u201cOne answer might be not to romanticize or to objectify or other,\u201d said Salazar. \u201cIn my experience, this means not writing capital 'N' nature poetry, where nature is this sort of object we place outside ourselves and then strip-mine for metaphors.\u201d<\/p>\n\n\n\n<p>She says poetry is about \u201cunderstanding how violence done to one component of an ecosystem affects all the bodies within it. It\u2019s about knowing how this mutuality applies to violence but also to care\u2026 When I write poetry about the environment, I\u2019m writing about how its many bodies and beings are entangled in my own body and vice versa.\u201d<\/p>\n\n\n\n<p>Salazar adds writing poetry is \u201chow I connect with the ancestors I was displaced from by migrations and colonialism, it\u2019s how I connect with the toxic and benevolent substances that shape my body and its pleasures. It\u2019s how I connect with survivors of sexual, gendered, racialized and ableist violence, even when we\u2019re sued into silence or otherwise prevented from reaching one another. When I write about the ecologies and bodies that I\u2019ve mentioned so far, I want the 'both\/and': I want both the acknowledgement of ecological harm and racial harm, and the possibility of love within these. I want both the fight against racial and ecological injustice, and the fight to ensure conditions healing for.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Feb. 15, Canadian poet Rebecca Salazar visited the Canadian Writers in Person series at York to read from and talk about her poetry collection 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