{"id":334087,"date":"2023-05-10T13:41:06","date_gmt":"2023-05-10T18:41:06","guid":{"rendered":"https:\/\/yfile.news.yorku.ca\/?p=334087"},"modified":"2025-07-30T10:59:00","modified_gmt":"2025-07-30T14:59:00","slug":"professor-patricia-keeney-celebrates-bilingual-volume-of-poetry","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/yfile\/2023\/05\/10\/professor-patricia-keeney-celebrates-bilingual-volume-of-poetry\/","title":{"rendered":"Professor Patricia Keeney celebrates bilingual volume of poetry"},"content":{"rendered":"\n

Patricia Keeney<\/strong>, a long-time professor of creative writing at York University, has had her fourth bilingual volume of poetry published in France. The author of 10 books of poetry in English, this is Keeney\u2019s eighth volume in another language. Keeney has also taught English and humanities at York for some 40 years.<\/h3>\n\n\n
\n
\"\"
Approche de la D\u00e9esse<\/em> book cover<\/figcaption><\/figure>\n<\/div>\n\n\n

Selected and translated by Michelle DuClos and Magdelaine Gibson, the new volume is called Approche de la D\u00e9esse<\/em>, a title taken from Keeney\u2019s poem \u201cA Touch of the Goddess\u201d and contains poems \u201cinspired largely by my love of Greece and partly by the throb of mythology,\u201d says Kenney. The volume was published by Alidades in Bergerac.<\/p>\n\n\n\n

\u201cAs a writer, poetry has always been my first love,\u201d says Keeney, \u201cso I am especially delighted when my poems find a life in other languages. The translation of this new volume is tremendously sensitive to both the original English and to the French. These are two fine translators whom I first met while teaching at the University of Bordeaux some years ago.\u201d<\/p>\n\n\n\n

Three other volumes of Keeney\u2019s work have been previously translated by DuClos and published by Les Amis de la Po\u00e9sie in Bergerac. All four of the French editions are bilingual \u2013with the original English on one page and the French facing it \u2013 making the volume especially useful for language and translation classes.<\/p>\n\n\n\n

Other translated editions of her poetry include volumes in Hindi (published in Jaipur, India), Bulgarian (published in Sofia, Bulgaria), Spanish (published by Toronto\u2019s Antares Press) and Chinese (published in Xi\u2019an, China). <\/p>\n\n\n\n

In addition to her poetry, Keeney has published two novels: The Incredible Shrinking Wife, <\/em>and One Man Dancing<\/em>, the latter based on the true story of a small experimental theatre company in Uganda trying to survive during the murderous reign of dictator Idi Amin. The book, which follows the life of one of the company\u2019s leading performers (an actor-dancer who now lives in Toronto), has generated positive international reviews and has been adapted for film by award-winning New York screenwriter Hank Whittemore. The script is now making the rounds of producers in both North America and Europe.<\/p>\n\n\n\n

Her current project \u2013 in the final stages of editing \u2013 is a novel called Emptiness and Angels. <\/em>\u201cIt\u2019s a time-travelling mystery based on the life of Mary, the mother of Jesus,\u201d says Keeney. \u201cIts leading character is a contemporary feminist professor of Mariology who comes across a manuscript reputed to be the true life of Mary showing her as both a young woman in Nazareth and as an older woman living out her final days in Ephesus after her son\u2019s crucifixion.<\/p>\n\n\n\n

\u201cPart of it is set in Canada at a university not so different from York, in Germany where we meet a stigmatic nun obsessed with the Virgin, and in the Holy Land. We also move through ancient and modern Ephesus as well as into the south of France where churches abound devoted to their own version of Mary. The French call their main cathedral Notre Dame for a reason.\u201d<\/p>\n\n\n

\n
\"Patricia
Patricia Keeney<\/figcaption><\/figure>\n<\/div>\n\n\n

Working in a variety of genres feels natural, says Keeney, who is also an award-winning poetry and theatre critic writing reviews regularly in the Canadian poetry journal Arc<\/em> and in the Paris-based international webjournal Critical Stages<\/em>.<\/p>\n\n\n\n

\u201cI find that I\u2019m drawn to many art forms including film, dance and theatre as well as the critical essay,\u201d she says. \u201cBut poetry can encompass them all because it is an inclusive art suited, perhaps to my own restlessness. Certainly the experience of having my poetry translated from one language to another is deeply rewarding. Translation, like poetry itself,  has to navigate image and idea, voice and nuance, music and tone, accuracy and suggestiveness. Over the years, working with translators, has broadened and deepened my understanding of all these elements.\u201d<\/p>\n\n\n\n

Most recently, Keeney contributed to an anthology of poems by Canadian writers in support of Ukraine called Poems in Peril<\/em> and participated in numerous readings to promote the book whose proceeds go to help Ukrainian artists. This volume, along with her other recent books \u2013 One Man Dancing, First Woman<\/em> (poetry, Inanna) and Orpheus in Our World<\/em> (choreo-poetry, NeoPoiesis) \u2013-is available from Amazon and online book sellers..<\/p>\n\n\n\n

Approche de la D\u00e9esse<\/em> can be ordered directly from alidades.fr<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

A long-time professor of creative writing at York University, Patricia Keeney has had her fourth bilingual volume of poetry published in France. this is Keeney\u2019s eighth volume in another 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