a masters thesis by don sinclair Examining an Interactive New Media Object: Laurie Anderson's Puppet Motel
section 8-0 title
_0_0
_1_0
_2_0
_3_0
_4_0
_5_0
_6_0
_7_0
_8_0
A
copyright_01.gif
copyright_02
copyright_03
copyright_04

Web Site Creation

BBEdit version 6.5. Bare Bones Software Inc., Bedford, Massachusets.

Communicator version 4.7. Netscape Inc., Mountain View, California.

Director version 8.5. Macromedia, Inc., San Francisco.

Excel version 1998. Microsoft Corporation, Redmond, Washington.

Fetch version 4. Fetch Softworks, Etna, New Hampshire.

Filemaker 4. Filemaker Inc., Santa Clara, California.

G4/867. Apple Computer, Inc., Cupertino, California.

iMac/500. Apple Computer, Inc., Cupertino, California.

ImageReady version 3. Adobe Systems Incorporated, San Jose, California.

Internet Explorer version 5. Microsoft Corporation, Redmond, Washington.

Photoshop version 6. Adobe Systems Incorporated, San Jose, California.

Word version 1998. Microsoft Corporation, Redmond, Washington.

Sources

Allen, Graham. Intertextuality. New York: Routledge, 2000.

Anderson, Claire. Web Journal. 15 February 2002. 10 June 2002 <http://www.geocities.com/andersonclare/clareframeset.html>.

Anderson, Laurie. Big Science. Compact Disk. Burbank, Calif.: Warner Brothers, 1982.

________. United States Live. Compact Disk. Burbank, Calif.: Warner Brothers, 1984.

________. Home of the Brave. Compact Disk. Burbank, Calif.: Warner Brothers, 1986.

________. Strange Angels. Compact Disk. Burbank, Calif.: Warner Brothers, 1989.

________. “I’m Thinking Back”, In The Kitchen Turns Twenty: A Retrospective Anthology. Ed. Lee Morrissey. New York: The Kitchen, 1992a.

________. Stories from the Nerve Bible. New York: HarperCollins, 1992b.

________. Bright Red/Tightrope. Compact Disk. Burbank, Calif. : Warner Brothers, 1994.

________. The Ugly One with the Jewels and Other Stories. Compact Disk. Burbank, Calif.: Warner Brothers, 1995a.

________. Puppet Motel. CD ROM. New York: Voyager Co., 1995b.

________. Laurie Anderson, Dal Vivo / Germano Celant. Milan: Fondazione Prada, 1998.

Bakhtin, Mikhail Mikhailovich, and Pavel Nikolaevich Medvedev. The Formal Method in Literary Scholarship: A Critical Introduction to Sociological Poetics. Translated by Albert J. Wehrle. Cambridge, Massachusetts: Harvard University Press, 1985.

Barthes, Roland. S/Z. Translated by Richard Howard. New York: Hill and Wang, 1974.

________. Image, music, text. Translated by Stephen Heath. New York: Noonday Press, 1988.

Ceremony of Innocence. CD ROM. Whiltshire, England: Real World Multimedia, 1998.

Coad, Peter, and Edward Yourdon. Object-Oriented Analysis. New Jersey: Prentice Hall, 1990.

Crawford, Chris. Understanding Interactivity, Draft 7. Published by the author, 2000.

Davis, Jim. HOMEpage OF THE BRAVE: Laurie Anderson. 17 May 2002. 13 June 2002 <http://www.cc.gatech.edu/~jimmyd/laurie-anderson/>.

DevEdge. 25 March 2002. Netscape Inc. 12 June 2002 <http://developer.netscape.com/>.

EVE. CD ROM. Whiltshire, England: Real World Multimedia, 1996.

Fiske, John. Introduction to Communication Studies. New York: Routledge, 1990.

Fulford, Robert. The Triumph of Narrative: Storytelling in the Age of Mass Culture. Toronto: House of Anansi Press Limited, 1999.

Goldberg, Adele, and David Robson. Smalltalk-80: The Language. Reading, Massachusetts: Addison-Wesley, 1989.

Haraway, Donna J. “A Cyborg Manifesto: Science, Technology and Socialist-Feminism in the Late Twentieth Century.” Chapter in Simians, cyborgs and women : the reinvention of nature. London: Free Association Books, 1991.

Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington, Indiana: Indiana University Press, 1986.

Kristeva, Julia. Desire in Language: a semiotic approach to literature and art. Translated by Thomas Gora, Alice Jardine and Leon S. Roudiez, ed. Leon S. Roudiez. New York: Columbia University Press, 1980.

Kristof, Ray, and Amy Satran. Interactivity by design: creating & communicating with new media. Mountain View: Adobe Press, 1995.

Laurel, Brenda. Computers as Theatre. Reading, Massachusetts: Addison-Wesley, 1991.

Laurie Anderson’s Green Room. 21 June 1997. Voyager Co. 21 June 1997 <http://www.voyagerco.com/LA/>.

Manovich, Lev. The Language of New Media. Cambridge, Massachusetts: MIT Press, 2001.

McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minnesota: University of Minnesota Press, 1991.

McCorduck, Pamela. “America's Multi-Mediatrix.” Wired 2.03, March 1994. 12 May 2002 <http://www.wired.com/wired/archive/2.03/anderson_pr.html>.

Metz, Christian. Film Language: A Semiotics of the Cinema. Translated by Michael Taylor. New York: Oxford University Press, 1974.

Murray, Janet H. Hamlet on the Holodeck The Future of Narrative in Cyberspace. Cambridge, Massachusetts: MIT Press, 1998.

Redmond, Marie and Nancy Sweeny. “Multimedia Production: Nonlinear Storytelling Using Digital Technologies.” In Contextual Media: Multimedia and Interpretation. Eds. Edward Barrett and Marie Redmond. Cambridge, Massachusetts: MIT Press, 1995.

Robbins, Christopher. Director 8.5 Studio: with 3D, Xtras, Flash and Sound. Birmingham, UK: friends of ED, 2001.

Saussure, Ferdinand de. Course in General Linguistics. Translated by Roy Harris, eds. Charles Ball, Albert Sechehaye, in collaboration with Albert Riedlinger. London: Gerald Duckworth & Co. Ltd., 1983.

Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.

Sumner, Melody. “Interview with Laurie Anderson”. Interview by Melody Sumner. In The guests go in to supper. Eds. Melody Sumner, Kathleen Burch, and Michael Sumner. Oakland: Burning Books, 1986.

Truckebrod, Joan. “A New Language for Artistic Expression: The Electronic Arts Landscape”. In LEONARDO, Electronic Art Supplemental Issue. Oxford, England: Pergamon Press, 1988.

Using MLA Style to Cite and Document Sources. 1 October 2002. Online! 1 October 2002 <http://www.bedfordstmartins.com/online/cite5.html>.

Volosinov, Valentin Nikolaevic. Marxism and the Philosophy of Language. Translated by Ladislav Matejka and I. R. Titunik. New York: Seminar Press, 1973.

Warner, William B. Computable Culture and the Closure of the Media Paradigm: Lev Manovich’s The Language of New Media. 18 December 2001. 10 January 2002 <http://manovich.net/LNM/review_Warner.doc>.

top

Last modified on 23-Apr-05 at 11:08 AM.