2008 Constructing the Canadian War Museum/Constructing the Landscape of a Canadian Identity (Re) Visualizing National History: Museums and National Identities in Europe in the New Millennium, ed. Robin Ostow, Toronto: University of Toronto Press, 183 - 199.

2008, Editing the Image:Two On-Site/Online Exhibitions in Editing the Image: Strategies in the Production and Reception of the Visual, eds. Mark Cheetham, Elizabeth Legge, Catherine M. Soussloff, Toronto: University of Toronto Press, 153-164

2007 "The Currency of Time: Muntadas and I Giardini," Ciel Variable, No. 77, Winter, 10-12.

2007 "La représentation muséale des génocides: Guérison ou traumatisme réactualisé?," Gradhiva, No. 5, 77 - 83.

2006 Aesthetics of Trauma: five installations of Charlotte Salomons "Life as Theatre" in Reading Charlotte Salomon, Michael P. Steinberg and Monica Bohm-Duchen Editors, Cornell University Press, Ithaca and London, 148 - 166.

2006 "Closets and Collectors" Reesa Greenberg, De Witte Raaf, 121 May.

2005 "Redressing history: Partners and the Friedrich Christian Flick Collection," Reesa Greenberg for Kritische Berichte, October

2005 "Identity Exhibitions: From Magiciens de la terre to Documenta 11." Art Journal. Spring 2005. Vol.64, No.1. 90-94.

(Reprinted in VIS Volume 5 Number 1 Jan-June 2006, p. 59 - 63, English and Portuguese abstracts)

2004 "From Wall to Web: Displaying Art Stolen from Jews by Hitler" in Obsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation, Anthony Kiendl, ed., Banff Centre Press, 92-109.

2003 "The Jewish Museum, Vienna: A Holographic Paradigm for History and the Holocaust" in Image and Rememberance: Representation and the Holocaust, Shelley Hornstein and Florence Jacobowitz, eds. University of Indiana Press, 235-250.

2003 "Beauty, Magic, Points of View, "Canadian Art, Winter 2003, Vol.20, No. 4, 76-81.

2003 "Museums and Money," Racar/XXVIII, 2001-2003, 83-85.

2002 "Jews, Museums and National Identities," Ethnologies, Vol.24, No.2, 125-137.

2002 "Lamentations: The Use of Visual Art in Exhibitions Related to World War II and the Holocaust in Canadian Museums at the Beginning of a New Millennium" in Loren Singer, ed., Afterimage: Evocations of the Holocaust in Contemporary Canadian Arts and Litterature, Montreal: The Concordia University for Canadian Jewish Studies, 188-201.

2001 "Playing it Safe: The Display of Transgressive Art in the Museum" in Mirroring Evil: Nazi Imagery in Recent Art, Norman Kleeblatt, ed., Rutgers University Press, 85-95.

2000 "Private Collectors, Museums, Display: a post-Holocaust perspective" Jong Holland, 1, 29-41.

2000 "Die Asthetik des Traumas: Zur Darstellung des Holocaust in Judischen Historischen Museen" in Denkmale und kulturelles Gedächtnis nach dem Ende der Ost-West-Konfrontation, Gabi Dolff, Bone Kämper and Edward von Voolen, eds., Berlin, Jovis, 2000, 227-238.

1998 "Defining Canada," Collapse, #3, 95-118.

1997 "Mapping International Exhibitions," with Bruce Ferguson & Sandy Nairne, Art & Design, No.52, 30-37.

1995 "The Exhibition as Discursive Event" in Longing and Belonging: From the Faraway Nearby, Site Santa Fe, 118-125.

1994 "The Exhibited Redistributed: A Case for Reassessing Space" in Exhibited, Bard College, Annadale-on Hudson, 17-38; Reprinted in BE, 2, Nov., 1994 (Berlin) in English and translated into German and Russian; Reprinted in Thinking about Exhibitions, 1996.

1993 "Barbara Steinman's A Lapse in Logic" in A Lapse in Logic, The Art Gallery of Windsor. (exhibition catalogue)

1992 "Idées-chocs," in Museums: Rethinking The Future, ICOM, 22-24.

1992 "Objects of Curiostity: Photographs of Museums," De la Curiosité: Petite anatomie d'un regard, Montréal, 69-83. Reprinted in Trois, vol. 7, nos. 2-3, Hiver-Printemps, 69-83.

1992 "Dedans/Dehors: les femmes, les musées et la fausse publicité," Musée, vol.14, no.1, Mars, 22-27.

1988 "Inside/Outside: Remapping Art History" in Critical Paths, Renée Baert, ed. Montréal, 20-21.

1986 "MOMA and Modernism: The Frame Game," Parachute, #42, March, April, May, 21-31. (French translation)

1986 "Problems with Picasso: Fe-male and the Phallus," C Magazine, No.8, January, February, March, 19-24.

1985 "Begging the Question: A Review in Two Voices," co-authored with Bella Rabinovitch, C Magazine, No.7, Fall, 58-60. (exhibition review)