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Research Projects

Tina Choi

photo of Tina Choi

Starting in the 1820s and 30s, an unprecedented array of inexpensive cartographic materials—educational maps, geographical games and puzzles, cab and railway maps, and tourist itineraries – became available in Britain. In research funded by a SSHRC Insight Grant (2020-25), I’m investigating the types of cartographic literacy that emerged around these works in the first half of the nineteenth century, as I ask how a growing fluency in the language of maps reshaped both prose representations of geography and the formal qualities of fiction. While governmental surveys adopted increasingly uniform, scientized cartographic practices during these years, mass-market maps took another direction. Enabled by cheap printing technologies, the rise of mass tourism, the opening of passenger railways, and an interest in military and colonial activities, these materials were often mass-produced and designed to appeal to a broad readership. I’ve been examining the revival of decorative elements associated with early modern maps during this period, as well as experimental uses of perspective and format, the integration of prose and advertising into the surfaces of the map, and the conjuring of immersive experiences of domestic and foreign landscapes.

image of Tallis’s London Street Views. No. 2. Leadenhall Street. London, 1838. Courtesy of the David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries.
Tallis’s London Street Views. No. 2. Leadenhall Street. London, 1838. Courtesy of the David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries.
composite photo of Lesley Higgins and Marie-Christine Lep

Lesley Higgins and Marie-Christine Leps

Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje

After a century of genocide and in the midst of a deadly global pandemic, this book focuses on the critique of biopolitics (the government of life through particular individuals and the general population) and the counter-development of biopoetics (an aesthetics of life through the elaboration of self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. This book demonstrates that their writing produces a transhistorical, transnational chronotope to critique historical domains of knowledge, types of normativity, and forms of subjectivity in order to offer the reader transformative experiences. In so doing, we argue that their writing constitutes a specific kind of world literature—what we call “heterotopic world fiction”—that enacts an epistemological and ethical project through political aesthetic strategies. This book produces and critiques an assemblage of texts that demonstrates how novels by Woolf and Ondaatje work transgrediently with Foucault’s philosophical and historical inquiries to implicate the reader in new games of truth.

This year (2021–2022), Lesley Higgins is beginning a new research project, “Hopkins: Confessing the Flesh,” and continues her work as co-general editor of the Collected Works of Gerard Manley Hopkins and the Collected Works of Walter Pater (both for Oxford University Press).

Marie-Christine Leps, with the help of a team of research assistants, is exploring “Contemporary World Fictions of Friendship.” Together the team works in 11 languages and we intend to disseminate our research in a colloquium in spring 2022, and a series of articles.

Katarina O'Briain

photo of Katarina O'Briain

Katarina O’Briain specializes in transatlantic eighteenth-century literature and culture. Her current research examines the role of the poetics of craft labor in solidifying discourses of property, capital, and racialization. She is at work on a book manuscript which explores the ways in which georgic poetry, often defined as the poetry of agricultural labor, imagines alternatives to racial capitalism in the long eighteenth century, as well as in twentieth- and twenty-first-century activist, anticapitalist and eco-poetry. Reading artisanal manuals and political economy alongside established and marginalized poets, Georgic Possibilities: Craft Labor and the Transatlantic Eighteenth Century recovers modes of stewardship, care, and resistance that refuse entrenched historical narratives of racial capitalism and settler colonialism and instead open a space for alternate modes of thinking about and relating to the land. O’Briain has proposed a graduate seminar which traces shifting notions of land and labour across the global eighteenth century and reads poetic and archival material alongside recent Black, Indigenous, and anticolonial scholarship on the interrelation of race and property. She is eager to work with students who have interests in the long eighteenth century or in the fields of environmental humanities, political economy, and critical race studies.

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