Our Students

Alex Williams is a filmmaker and theatre artist whose work responds to legacies of colonialism as well as through autobiographical and material explorations. Current research interests include decolonial and collaborative cinematic methodologies and aesthetics, histories of colonial policy, Indigenous/settler relations, colonial identity formation, Indigenous, queer and feminist theory, and participatory practices of curation and media exhibition. He is a York Elia Scholar whose CGS-supported doctoral research/creation dissertation is a collaborative nonfiction film project entitled The Trust Accounts, examining histories of Canadian economic policies towards Indigenous people. The project is a follow-up to his 2015 documentary the pass system, which exposed the segregationist practice of requiring First Nations people to request and carry passes when leaving reserve. The film screened widely across Canada, was broadcast on APTN and CBC, and was nominated for two Canadian Screen Awards. Alex has an BFA from Emily Carr University in Film/Video and did his MFA in Film Production at York. He has taught in the Department of Design at Sheridan College and at the National Theatre School of Canada. He was President of Charles Street Video for six years, is on the advisory board of Seneca College’s Documentary Film Institute and is a Programmer with Cinema Politica.

Alison Humphrey plays with story across the fields of drama, digital media, and education. After starting out as an intern at Marvel Comics, she produced one of the first ever online alternate reality games for Douglas Adams’s Starship Titanic, initiated one of the earliest transmedia in-fiction blogs in a TV series, and co-created two interactive, live-animated theatre projects: Faster than Night (Toronto) and The Augmentalist (Silicon Valley). Her Vanier-CGS funded research explores how a science-fiction transmedia storyworld (shadowpox.org), co-created with theatre students on four continents, can empower youth civic engagement and public health problem-solving. The project premiered during the World Health Organization’s 70th annual assembly in Geneva, Switzerland. Website: alisonhumphrey.com.

Becka Barker is an interdisciplinary artist and educator of settler ancestry who uses animation, collaboration, and process cinema as key strategies for research and studio practice. Her SSHRC-funded PhD project traces developments in experimental animation through community-based movements over the past quarter century. Becka’s work has been supported by agencies such as the National Film Board and the Canada Council for the Arts. She has presented at venues such as Ottawa International Animation Festival, EXiS Seoul (Winner, Best International Film, 2007), Society for Animation Studies and Universities Art Association of Canada. Becka comes to York’s PhD program in Cinema and Media Studies after 15 years as Regular Part-Time Faculty in Film and Expanded Media at NSCAD University and five years as Visiting Foreign Faculty in the Film/Animation Department and School for Global Education and Exchange at Soonchunhyang University (ROK). She holds a B.Sc. (Hons) from Mount Allison University, a BFA from NSCAD University, and an M. Ed. from University of Calgary.

Claudia Sicondolfo’s research interests include film festivals, screen publics, youth and digital media cultures, decolonizing research methodologies, and affect within the creative industries. Her Vanier-CGS funded doctoral research examines educational and community outreach strategies of various Canadian digital screen institutions, collectives, and film festivals. By focusing on digital and mobile technologies and pedagogical curation tactics, she interrogates contemporary engagement discourses involving identity-based communities, youth and emergent media artists. Claudia has published in Public Journal, Senses of Cinema and various book anthologies. She has worked intimately with educational communities across Canada and has published educational companion curriculum for interactive and traditional documentaries.

Cléo Sallis-Parchet is a researcher, writer and community organizer. Her research examines the ephemerality and variability of media art and obsolete technologies, and its impact on preservation practices for artists, archives, and institutions. She is also investigating the broader concept of the living archive in promoting elements of care, community, and agency in the archival sphere. Cleo is the recipient of the Jeffrey and Sandra Lyons Canadian Film Scholarship and is conducting archival research at the TIFF Film Reference Library in 2023. Furthermore, she is the Archive Fever Friday programmer for the Toronto Film & Media Seminar. Cleo holds an MA in Cinema & Media Studies from York University and an Honours BA in Art History & Film Studies from Concordia University.

David Han is a media artist, scholar and educator whose work employs emerging technology to explore the boundaries between computation, cinema and new media. His current doctoral work examines the unique affordances of virtual reality (VR). Building upon research in media studies and cognitive science and inspired by early formalist experimentation in filmmaking, his research creation project aims to contribute to an understanding of the defining characteristics of this new medium and expand the range of possibilities for creative practice in VR.

Debbie Ebanks Schlums is a multidisciplinary artist exploring themes of migration and anti-colonial actions through community engagement, materials, and conversation. She was a founding member of the Out of a War Zone and To Lemon Hill Collectives, both addressing the Syrian refugee crisis. Her doctoral research focuses on memory preservation methodologies of the Jamaican Diaspora through the co-creation of a community archive. She is a recipient of the Susan Crocker and John Hunkin Scholarship in the Fine Arts, Ontario Arts Council and Canada Council Visual Arts Grants, and is an Elizabeth Greenshields Foundation Fellow. Debbie studied Visual & Critical Studies and Fine Art at the California College of the Arts, has a Joint BA in Philosophy and Political Science from the University of Waterloo, and an MA in International Relations from the Graduate Institute of International Studies and Development in Switzerland. She was Co-Director of the Fabulous Festival of Fringe Film from 2016 to 2020 and Co-Producer of Saugeen Takes on Film.

Dhvani is a PhD student in Cinema and Media Studies. Her research and curatorial practice focus on experimental moving image, particularly attuned to queer, feminist, and speculative archival practices in contemporary exhibitions. Her curatorial interests also extend to sound art and multi-sensorial experiences more broadly. In 2021 she curated places where sounds turn to dreams…a multimedia group exhibition in Toronto that centred artists who engage with sonic ecologies and world-making in their practices, and in 2022, served as co-chair of the annual Communication and Culture graduate conference and art exhibition on the theme “The Politics of Sound,” co-hosted by York University and Toronto Metropolitan University. She is also a graduate research associate at Sensorium: Centre for Digital Arts and Technology.

Em Barton (she/they) began their PhD in Cinema and Media Arts in 2019. She holds an undergraduate in Philosophy and a MA in Cinema Studies from the University of Toronto. Their dissertation project is about the disparate archives of grassroots queer, feminist cinema scenes in Toronto beginning in the 1970’s stretching into the early 2000’s. Em is the co-chair of the Toronto Film and Media Seminar and happily co-organizes Archive / Counter-Archives Working Papers series.

Emily Collins has a BA in Comparative Literature and Culture from the University of Western Ontario and an MA in Arts and Culture from Maastricht University in the Netherlands. More recently, she completed an MA in Cinema and Media Studies at York University. Her SSHRC-funded interdisciplinary Masters project examined the intersection of cinematic representations of space, place and landscape with gender and feminist film strategy within the films of Agnès Varda. Emily has worked across arts and culture institutions in local and international settings, including the Walter Phillips Gallery at the Banff Centre for Arts and Creativity; Festival Scope in Paris; VUCAVU in Toronto; and the Toronto International Film Festival. Her areas of interest include feminist film theory, sound studies, sound in film, women filmmakers, and film festivals. Her PhD dissertation is tentatively titled “Listening for Gender: Resistant Soundscapes in Contemporary Feminist Film.”

Fatma Ozen is a first-year PhD student in Cinema & Media Studies at York University. She holds a BA in English Literature from Hacettepe University, Turkey, and an MA in Cultural Studies from Trent University, Peterborough, Canada. She made her first documentary, Pieces of Canada, in 2023. Her research interests include transnational cinema, diaspora studies, digital media, gender & sexuality, feminist film theory, postcolonial theory, and Turkish cinema. Her PhD research focuses on Middle Eastern queer diasporic communities on streaming platforms.

Federica Foglia is a transnational visual artist, editor and writer. She is interested in issues of immigration, displacement, assimilation, post-humanism and finding a visual language to represent these experiences. She holds a BA in Multimedia Languages and Computer Skills for humanities: History of Art, Theatre, and Cinema from the University of Naples L’Orientale and is currently attending York University to complete an MFA in Film. Her short films Exit/Entrance (2015) and Fantassút (2016) have screened and won awards at film festivals around the world, including Camerimage, Big Sky Documentary Film Festival, Toronto International Film Festival, Reykjavik International Film Festival and the Human Rights Watch Film Festival. Her latest short Mix, Wildflower Seeds (2017) had its world premiere at the Anthology Film Archives – New York. She recently received the RBC Arts Access Fund Award for newcomer artists in Canada and was awarded the Premio Mediterraneo in Italy.

Galit Ariel is a TechnoFuturist, author and creative that gained a BA in Product Design from Central Saint Martin’s College of Art & Design, an MA in Design Management & Innovation from Savannah College of Art & Design, and currently pursuing her PhD in Cinema and Media Studies focusing on Human-Computer interaction and Worldmaking with the use of emerging technologies. Galit explores the wild and imaginative side of immersive technologies and their impact on our cultures, behaviours and interactions. Galit is the founder of Future Memory Inc. futurememoryinc.com—a speculative design agency, a published author of ‘Augmenting Alice—The Future of Identity, Experience and Reality’ www.augmentingalice.com; a sought-after speaker featured at global conferences such as TED, The Next Web, SXSW, Fifteen Seconds, Slush Tokyo, FITC, The European Union, Bell Labs, and many more. She is also an RSA (Royal Society of Arts) fellow and several think tanks such as THE150 (that created the Copenhagen Catalog—150 principles for a new direction in tech).

George Turnbull is an award-winning stage and screen scholar and practitioner. He is currently appointed as the President of the Graduate Film Student Association at York for 2018–2019, and is Co-Founder and Vice-President of the York University Film Society. He is also the Audio-Visual Director at a local community organization. Prior to beginning his PhD at York, he completed his BA (Honours) and MA degrees in Film and Media Studies, summa cum laude. George began his studies in cinema and theatre at the Etobicoke School of the Arts (ESA) secondary school in Toronto. Growing up as a dedicated competitive dancer, it was at ESA that George discovered his interest and passion for dance films. He now writes and publishes in this field, primarily with The Dance Current. When George is not conducting research and writing, he can be found directing films and theatrical performances, choreographing and performing dances, helping with local film festivals, and teaching.

Hannah van Buuren earned her BA in Motion Picture Arts at Capilano University where she produced various award-winning films, including Think Again (iGen Festival). Her current research analyzes contemporary television series, primarily focusing on the manipulation of linear temporality as a way of exploring the mediation of trauma and assault. Her other research interests include feminist filmmaking and subjectivity, counter-gazes, broadcast temporality and trauma studies.

Haoran Chang is a multimedia artist focusing on the liminal relationship between the virtual and reality. He received his BS from the University of Wisconsin Madison, MFA in Fine Art from Maryland Institute College of Art, and MFA in digital media from the University of California Santa Cruz. He has exhibited works in various locations virtually and physically, including the CICA museum in South Korea, Walter Otero Contemporary Art in Puerto Rico, Vox Populi in Philadelphia, and many more. He published papers in peer-reviewed journals like Refract and Virtual Creativity. He is also the founder of the Mixed Reality collective Chameleon Gallery.

Justin Baillargeon is a VR/360 filmmaker, a SSHRC Doctoral Fellowship recipient and holds a B.A in Film Studies from Concordia University and a M.A. in Communication from the Université du Québec à Montréal. His doctoral research explores virtual reality, as well as 360 degrees curation and its distinct forms of spectatorship. He seeks to analyze spectator behavior and emotional involvement during various types of multi-sensory and embodied experiences whether seated, standing and room-scaled in different cultural contexts defined by commercial, educational and artistic objectives.

Kate van de Ven’s research explores Toronto’s many film festivals, their relationship to their urban communities and how different kinds of festival space impact understandings of Toronto as a particular kind of place: a festival city. Her broader interests include film cultures and curation; media literacy as a driver for social justice; and cinematic urbanism. She has published on spectacular representations of Paris and hotels and motels as cinematic purgatories as well as writing broadly for and about film festivals. She previously studied in the film departments at UCLA and Queen’s University.

Lia Tarachansky is a Soviet-born Israeli journalist and filmmaker. Her award-winning films range in style from investigative to experimental and focus on marginalized communities in Israel and Palestine, their struggles for justice, and the ongoing anti-colonial fight for peace. She has worked for the BBC, The Guardian, TeleSUR, and The Real News and her work can be seen on Naretiv Productions (www.naretivproductions.com). In her PhD Tarachansky will be expanding on her documentary film work by examining the Colonial Gaze in cinema and in new media. She will be researching how indigenous communities in Canada/Turtle Island and in Israel/Palestine make visible spaces that are rendered invisible by colonialism. Alongside groups challenging invisibility of indigenous spaces, she will be co-creating Augmented Reality projects to ‘return’ villages, homes, and other sites, examining the impact of making virtually visible what is physically destroyed and whether that ‘return’ can challenge colonial collective denial.

Luke Kuplowsky’s work is interested in cinema’s radical potential for challenging the way we perceive the world. He is currently a York Elia Scholar whose SSHRC funded project explores imaginings and philosophies of community in contemporary documentary and fiction film and media, attending to their capacity to give rise to creative forms of attention, care and responsibility. Luke is also a practicing musician currently working on a series of albums that interpret and respond to the poetry of Ryōkan Taigu and Bohdan Ihor Antonych (among others).

Marko Djurdjić currently has three degrees: a BA from McGill University, a BEd from OISE, and a MA from York University. He is currently working on his fourth. His research interests include media, education & pedagogy; teachers on film; social media and pop culture; “middle-brow” entertainment; punk and hip-hop in cinema; architecture in film; and the contemporary media and entertainment landscape during COVID-19. He has worked for festivals, private corporations, non-profits, cities, and schools. He’s presented papers all over, and his next presentation (tentatively) will be at SCMS 2021, where he’ll be reading a paper on screening practices, space-building, and self-regulatory behaviours involving elementary-aged day-camp campers. He just started another band (likely), and he’s working on another paper (even more likely).

Mary Arnatt holds an MA and a BA (hons.) in Film, Communications, and Media Studies from the University of Calgary. Her research centers on feminist production and industry studies, women in film, Canadian media cultures, and horror/cult cinema. Mary received the 2018 Gerald Pratley Award from The Film Studies Association of Canada for her presentation “’The Set is (Still) Closed!’ Exploring Canadian Production Culture at Cinepix,” and is a recipient of the Graduate Fellowship for Academic Distinction from York University. Mary has served on the executive board for the Calgary Cinematheque, and has worked with Canada Learning Code, LUMA Quarterly, Movies that Matter (now Cinema Politica), and The Calgary Horror Convention.

Mary H is a PhD student in Cinema and Media Studies at York University. She received her Master’s Degree the University of Toronto’s Cinema Studies Institute. Her research interests include fungi, Eco cinema critique, timelapse media, the more than human, posthuman feminism, climate change and anthropology.  She has given talks at Screen and FMSAC on Momoko Seto’s Planet film series. Additionally, she has developed experimental films using AI modelling which focus on the connections amongst fungi, film/media, and culture. In 2022 Mary completed an artist’s residency at Biophilia on the topic of Mycophilia with other like-minded mycophiles.

Michael Trommer is a Toronto-based producer, sound and multi-media artist; his experimental work has been focused primarily on psychogeographical and acoustemological explorations via the use of field recordings, infra- and ultrasound, as well as multi-channel installation and expanded video techniques. He has released material on a diverse roster of international labels and has performed and exhibited his sound, video and installation work throughout North America, Europe and Asia. He currently teaches at OCAD University in Toronto.

Michaela Pňačeková is an international XR artist, producer, a PhD student and ELIA scholar at York University. Her focus lies in the ways new media impact the real through interaction with algorithmic processes and artificial intelligence. Her first VR piece Symphony of Noise VR was exhibited at VRHam!, Reeperbahn Music Festival, IDFA Doc Lab Competition for Immersive Non-Fiction in Amsterdam 2019, LEV Madrid 2020, Geneva International Film Festival 2020. According to the Forbes Magazine, it was listed as one of the best XR installations of 2019. She has co-created an interactive predictive policing app Pre-Crime Calculator and produced three feature length documentaries (Border Cut, Waterproof, Scars) and two short fiction films. She is the German executive co-producer, of another mixed reality co-production Chomsky vs. Chomsky: First Encounter which premiered at Sundance Film Festival 2020. Member of the board of directors of Femme Futures Grant at Kaleidoscope, European Women’s Association and Documentary Association of Europe.

Sana Akram is a Pakistani urbanist, new media documentary maker and a Fulbright alum. Currently, she is an Elia Scholar at York University where her doctoral research-creation focuses on cocreating processes of reclamation, revival and self-representation by reimagining non-Eurocentric historical storytelling practices and traditions of the Indo-Persian Qissah and Dastan as immersive new media docufiction ecologies in the 21st century. In 2020, she graduated with a MS in Design and Urban Ecologies from Parsons School of Design, The New School, where she diversified her practice by implementing an interdisciplinary design approach. Her debut project, Little Pakistan – Future Histories, is an award-winning interactive documentary which has showcased at several international festivals including Slamdance Film Festival, Open City Documentary Festival, Ethnofest – Athens Ethnographic Film Festival and Society for Visual Anthropology Film and Media Festival. For her, it marked the beginning of a progressive research-creation exploring emergent media for civic engagement.

Sophia Hershfield (she/her) earned her BA (hons.) in English and Philosophy from the University of Winnipeg, and an MA in English with a specialization in Jewish Studies from the University of Toronto. Her current research focuses on the Frankfurt School of critical theory, cultural studies, Marxism, and contemporary cinema.

Theo Xenophontos holds a BA from the University of Toronto, having majored in both Cinema Studies and English, while minoring in History, and a MA in Cinema and Media Studies from York University. He has presented his work at conferences in Ottawa, Montreal, Albuquerque, and elsewhere. His current research is focused on creating a community-based audiovisual archive with members of the Cypriot Canadian diaspora. Beyond archives, his other areas of interest include film history, media archaeology, and experimental film & video.

Tim Nicodemo received his MA in Film Studies from the University of Western Ontario in 2013. For his PhD in Cinema and Media Studies Tim seeks to build upon his passion for exploring novel methods of phenomenological research by examining artificial intelligence filmmaking and the particular ways its formal and theoretical properties complicate experiences of Reality and the Real for spectators and filmmakers alike. Other research interests of Tim’s include ecocriticism, future cinemas, film technologies, exploitation cinema, film pedagogy, genre deconstruction, experimental film, and film movements.