Learn about what others have chosen to study and do through this innovative program.
Nicole S. Cohen is an associate professor at the University of Toronto. She is the author of Writers’ Rights: Freelance Journalism in a Digital Age, which received the 2017 Gertrude J. Robinson Book Prize from the Canadian Communication Association.
Murat Akser worked as programmer at Toronto International Film Festival and as coordinator at Canadian Film Centre. As a cameraman he worked in major Hollywood productions and he is a member of IATSE International Cinematographers Guild and Canadian Academy of Film and Television.
Constance Crompton is an assistant professor and Canada Research Chair in Digital Humanities in the Department of Communication at the University of Ottawa.
Alumni List
| Name | Thesis/MRP/Project Title | Supervisor | Committee |
|---|---|---|---|
| Samantha Abel | Let's talk about your weight": How fatphobia manifests in therapy | Friedman, May | MacLennan, Anne; Gingras, Jacqui |
| Ahmed Abul | Press Freedom and Democracy in Bangladesh: A Study of Press Regulations | Fletcher, Fred | Cukier, Wendy; Drache, Daniel |
| Samuel McCready | Playing and Making History: How Game Design And Gameplay Afford Opportunities For A Critical Engagement With The Past | Jenson, Jennifer | Boyd, Jason; Smith, Bryan |
| Murat Akser | N/A | Feldman, Seth | Drache, Daniel; Fletcher, Fred |
| Christopher Alton | Zombies, Phallic Monsters, and Rocket Launchers:An Examination of Gender Representations and Simulations in the Resident EvilSeries | N/A | Langlois, Ganaele; McCullough, John |
| Pamela Andrews | Somatic Anacrusis: An Experiential Poetics of Deborah Hay's Choreography and Practice in the Solo At Once | Bailey, Steven | Robinson, Danielle; Levin, Laura |
| Kaede Ashizawa | Hyphen as Prosthetic: Stories of Diasporic Cyborgs Told Through Virtual Reality | Desiree de Jesus | Casey Mecija, Joel Ong |
| Susan Ashley | Museum Renaissance? Revisioning 'publicness' at the Royal Ontario Museum, Toronto. | Cohnstaedt, Joy | Mooers, Colin; Prokopow, Michael |
| Nicholas Balaisis | Seeing for the First Time: Cinema Spectatorship, the Public Sphere, and the Making of Cuban Revolutionary Subjects | Zryd, Michael | Dowler, Kevin; Marchessault, Janine |
| Ann Barrow | Homeless on the Range: Masculinity and The Orphan Myth in the American Western, 1950–1990 | Feldman, Seth | Cameron, Evan; Leonard, Gary (UT) |
| Andrew Bieler | Exhibiting Climate Change: An Examination of Thresholds of Arts-Sciences Collaborations in the Context of Learning for a Sustainable Future | Marchessault, Janine | Barndt, Deborah; Crichlow, Warren |
| Mary-Ann Boateng | Community, Housing, and Crime: Framing the News Coverage of Lawrence Heights and Rexdale | MacLennan, Anne | Hayward, Mark; Thompson, Cheryl |
| Kelly Bronson | Framing the Debate: How Scientism in the language of the law binds public-biotechnology engagement | Berland, Jody | Ruggles, Myles; Imhotep, Edward |
| Jeremy Buesink | Storytelling, Myth, and the Dreams Therein: A Critical Analysis of the Intertextuality of Christianity, Capitalism, and Americanism | Anne MacLennan | Steve Bailey, Elizabeth Trott |
| Roberta Buiani | Viral Culture(s): An Investigation into the cultural lives of Computer Viruses | Marchessault, Janine | Tenhaaf, Nell; Elmer, Greg |
| Darcey Callison | Dancing Masculinity for Hollywood: The American Dream, Whiteness and the Movement Vocabulary within Hollywood's Choreography for Men | Crow, Barbara | Forsyth, Scott; Elder, Bruce |
| Alex Chalk | Producing Play: The Political Economy of "Actual Play" Media | Jenson, Jennifer; Dubois, Louis-Etienne | Langlois, Ganaele; Bailey, Steven |
| David Clifton | A Lexicon of Force: Framing Language and Television News Coverage of the 2003 War in Iraq | Drache, Daniel | Fletcher, Fred; Allen, Gene |
| Nicole Cohen | N/A | Mazepa, Patricia | Vosko, Leah; Ross, Stephanie |
| Thomas Cooke | What's That Noise? Or, a Case Against Digital Privacy as a Matter of Regulation and Control | Latham, Robert E | Hadlaw, Jan; Jones-Imhotep, Edward |
| Michelle Coyne | This Project Can Be Upcycled Where Facilities Are Available: An Adventure Through Toronto's Food/Waste Scape | Moore, Paul | Skinner, David; Bailey, Steven |
| Constance Crompton | Making the Modern Man: Eugen Sandow and Muscled Masculinity | Janzen, Lorraine | Lightman, Bernie; Braun, Martac |
| Trevor Cunnington | Schadenfreude, Villainy, and Empathy: the Ideological Life of Media Representations of "White Trash" | McCullough, John | Forsyth, Scott; Prokopow, Michael |
| Michael Curran | One Nation Under the Market: Mediated Narratives of the 2008 Crisis in America | Bailey, Steven | Moore, Paul; Dowler, Kevin |
| Brady Curlew | Play/Counterplay: The Cultural Politics of Digital Game Modification | Marchessault, Janine | Crow, Barbara; Elmer, Greg |
| Patricio Davila | Visualization as Assemblage: How Modesty, Ethics, and Attachment Inform a Critical Design Practice | Marchessault, Janine | Fisher, Caitlin & Hadlaw, Jan |
| Joshua Dittrich | Geosonics: Bodies, Instruments, Interfaces | Cecchetto, David | Marchessault, Janine |
| Tamar Michelle Faber | "Now I See The Importance of History": Tracing The Geneaology of Hip Hop, Young People and The Academy | Diamini, Nombuso | Thompson, Cheryl; Mecija, Casey; Campbell, Miranda; Coulter, Natalie |
| Lai-Tze Fan | Pre | Digital Liminalities: A Hermeneutics of the Intermedial and Materiality in the Print Intermedial Novel | Tschofen, Monique | Reisenleitner, Markus; Fisher, Caitli |
| Naomi Fraser | 'We are all connected': internationalism, communication and Canadian identity | Berland, Jody | Shields, John; Isin, Ergin |
| Anna Friz | The Radio of the Future Redux: Rethinking Transmission through Experiments in Radio Art | Bailey, Steven | Fisher, Jennifer; Marchessault, Janine |
| Amir Ganjavie | Contemporary Hollywood and the Spirit of Hope: America, Celluloid, and the Desire (mis)called (dis)Utopia | Bell, Shannon | Marchessault, Janine; McCullough, John |
| Tyrone Hall | Global Narratives & the Vulnerable Frontiers: A Critical Assessment of Global Climate Change Communication Processes & Traditional Retentions | MacLennan, Anne | Bailey, Steven; Ojo, Tokunbo; MacLennan, Anne; Tegelberg, Matthew; Skinner, David |
| Rebecca Halliday | The Live Fashion Show in Mediatized Consumer Culture | Ingram, Susan | Pedersen Isabel; Schweitzer, Marlis Erica |
| Milan Hanan | The Media-Foreign Policy Relationship: Pakistan's Media Image and U.S. Foreign Policy | Fletcher, Fred | Cukier, Wendy; Drache, Daniel |
| Daniel Harley | The Politics of Consumer VR: Framing Contemporary Virtual Reality | Jensen, Jennifer | Nolan, Jason; Mazalek, Ali |
| Alison Harvey | N/A | Crow, Barbara | Coombe, Rosemary; Jenson, Jennifer |
| Jaigris Hodson | Followers, Users and Friends: Technology, Participation and Organizational Stories on the Google, Facebook, and Twitter Blogs 2006–2011 | Drache, Daniel | Cukier, Wendy; Fletcher, Fred |
| Emilie Hurst | Worshipping at the Shrine of Wagner: Fandom, Media and Richard Wagner | Bailey, Steven C | Bowman, Rob; Dowler, Kevin Leslie |
| Steve Jankowski | The Trouble with Knowing: Wikipedian consensus and the political design of encyclopedic media | MacLennan, Anne | Obar, Jonathan; Hadlaw, Jan |
| Lianrui Jia | Cooptation, Collusion Contestations; Development, Regulation and Globalization of Internet in China | Middleton, Catherine | Elmer, Greg; Ojo, Tokunbo |
| Constance John | The evolution of the Canadian Film industry in Quebec (1968–1983) | Cohnstaedt, Joy | Shields, John; Sauvageau, Florian |
| Jon Johnson | Pathways to the Eighth Fire: Mapping Indigenous Knowledge in Toronto | McNab, David | Fletcher, Fred; Angus, Lynne; Newhouse, David |
| Naveen Joshi | Arranged Identities: Second Generation South Asian Canadians in Shaadi.com | Crow, Barbara | Dua, Enakshi; Coombe, Rosemary |
| Aleksandra Kaminska | Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004–2009 | Marchessault, Janine | Trifonova, Temenuga; Eichhorn, Kate |
| Lewis Kaye | Hearing Space: The Social Architecture of Aural Experience | Myles Ruggles | Herman, Andrew; Marchessault, Janine |
| Shahbaz Khayambashi | Visualizing Struggle: The Use of Imagery in the Continuing Story of the Black Lives Matter Movement | Bell, Shannin M | MacLennan, Anne; Bailey, Steven C |
| Shila Khayambashi | Peer Aggression, Canadian Style: Multiculturalism and Xenobullying | Visano, Livy A | Goulding, Jay; Foster, Lorne |
| Mirah Jennifer Kirshner | American Girl: A Critical Inquiry Into Dolls, Childhood, and Consumer Culture | Podnieks, Liz | Bailey, Steven; Cowdy, Cheryl |
| Gregory Klages | Representative (of) Democracy: The Rise and Decline of the Keynesian Era in Canadian Visual Arts Policy (1941–1984) | Salter, Liora | Mooers, Colin; Nelles, Viv |
| Helmut Klassen | "Life As It Is" A Renovation of the Project and the City | Elder, Bruce | Marchessault, Janine; Tschofen, Monique |
| Christine Korte | Refusing the End of History: The Politics and Aesthetics of FrankCastorf’s Volksbühne | Bailey, Steven | Bailey, Steven; Dowler, Leslie; Slopek, E; Hadlaw, Jan; Mueller, G; Siegal, M |
| Irena Knezevic | Discourses of Privatization and Industrialization: Agricultural Changes in the Former Yugoslavia | Fletcher, Fred | Coombe, Rosemary; Shields, John; Koç, Mustafa |
| Duncan Koerber | Communication as Mobilization: The Development of Newspaper-based Political Parties in Upper Canada, 1820–1841 | Allen, Gene | Fletcher, Fred; Skinner, David; Allen, Gene |
| Kaitlyn Kribs | From Piracy Panic to Platform Praise (and Back Again): Digitization’s Impact on Making, Moving, and Monetizing Music in Canada | Campbell; Miranda | Bailey, Steven; Skinner, David |
| Alysse Kushinski | The Potential of Leaks: Mediation, Materiality, & Incontinent Domains | N/A | Hadaw, Jan; Marchessault, Janine; Straw, Will; Bell, Shannon; Bailey, Steven; Bunch, Mary |
| Martha Ladly | Eros, Women, and Technology | Elder, Bruce | Fisher, Jennifer; Jenson, Jennifer |
| Andrew Laing | A Critical Evaluation of the Methodological Underpinnings of Agenda—Setting Research, and a New Media Approach | Fletcher, Fred | Davis, Charles; MacDermid, Robert |
| Ganaele Langlois | N/A | Crow, Barbara | Bailey, Steve; Elmer, Greg |
| Sabine Lebel | The Life Cycle of the Computer: A Study in the Materialities of Risk | Berland, Jody | Fitzpatrick, Blake; Prokopow, Michael |
| Cynthia Leibel | Anatomy Of Higher Education Fundraising In Canada | MacLennan, Anne | Coulter, Natalie; Obar, Jonathan |
| Steven Logan | Modernist Urbanism in the Age of Automobility: Producing Space in the Suburbs of Toronto and Prague | Berland, Jody | Marchessault, Janine; Keil, Roger |
| Bryn Ludlow | "What makes a great story?”: Multidisciplinary and International Perspectives On Digital Stories By Youth Formerly In Foster Care In Canada. | Flicker, Sarah | Crawford, Allison; Bailey, Steven |
| Monica Macdonald | Producing the Public Past: Canadian History on CBC Television, 1952–2002 | Fletcher, Fred | Cohnstaedt, Joy; Heron, Craig |
| Shana MacDonald | Between Frames: Feminist Experimental Media 1960–2010 | Marchessault, Janine | Longfellow, Brenda; Levin, Laura; Zryd, Michael |
| Timothy MacNeill | Culturally Sustainable Development: Maya Cosmovision, El Centro Pluricultural Para la Democracia, and The Idea of Development | Ruggles, Myles | Alhassan, Amin; Spotton-Visano, Brenda |
| Heather Maguire | Airwaves & Waterways: Mobile Networks, Information & Communication Technologies | Crow, Barbara | Middleton, Catherine; Adelson, Naomi |
| Michael Marlatt | "No one said anything abut driving in Film Preservation 101!": The Lived Experience of Disability, Chronis Illness, and Neurodiversity in Moving Image Archival Education | Marchessault, Janine | Latsis, Dimitrios; Chandler, Eliza |
| Sara Martel | Seeing Invisible Subjects: The Biopolitics of Perinatal Loss Photograph | Murray, Stuart | Bailey, Steven; Davidson, Deborah |
| George Martin | From Lifeworld to City Life: Rethinking how the Culture of Everyday Life in Cities Engages Urban Administration | Bailey, Steven C | Blum Alan; Reisenleitner, Markus |
| Alejandro Mayoral Banos | Tech Anishinaabe Medicine Wheel: Decolonial Design Principles within Digital Technologies through the Development of the Indigenous Friends Platform | Crow, Barbara | Green, Ruth; Chen, Stephen; Couture, Stephane |
| Victoria McArthur | Me, Myself, and I(nterface): An Analysis of Character Creation Interfaces and Affordances in Massively Multiplayer Online Games | Jenson, Jennifer | Bailey, Steven; Nolan, Jason |
| David McIntosh | Globalization, Networks and Audiovisual Spaces: Shifting Representational Relations in Canada, Mexico and Argentina | Longfellow, Brenda | Shields, John; Drache, Daniel |
| Brianna Wiens | Moving with Stories of "Me too.": Towards a Theory and Praxis of Intersectional Entanglements | MacLennan, Anne | Danisch, Robert; Marchessault, Janine |
| Caitlin McKinney | The Cultural Politics of Digital Media in Queer Archival Contexts | Driver, Susan | Noble, Bobby; Eichhorn, Kate |
| David Meurer | Network Narrative: Prose Narrative Fiction and Participatory Cultural Production in Digital Information and Communication Networks | Fisher, Caitlin | Tschofen, Monique; Coombe, Rosemary |
| Aidan Moir | Punk, Obamacare, and a Jesuit: Branding the Iconic Ideals of Vivienne Westwood, Barack Obama, and Pope Francis | MacLennan, Anne | Hadlaw, Jan; Bailey, Steve |
| Alla Miroshnichenko | Multi-Modal Game Design as a Medium of Digital Communication | Jenson, Jen | Gelb, David; Wakefield, Graham |
| Tanner Mirrlees | Cultural Mediations of American Empire | Mooers, Colin | Forsyth, Scott; McNally, Dave |
| Aimee Mitchell | Amateur Itinerant Filmmaking in 1940s Ontario: A Case Study in the Role of Activists in Preserving Marginal Cinema in Canadians Local Archives | Zryd, Michael | Marchessault, Janine; Moore, Paul |
| Ravindra Mohabeer | Looking at "made up" girls: Linking girls, life skills and media education | A., Goodrum, | Crow, Barbara; Jensen, Jennifer |
| Janice Nathanson | From Praxis to Theory: Expanding and Enriching Social Marketing | Seaton, Beth | Ruggles, Myles; Tschofen, Monique; Fletcher, Fred |
| Bahar Nasirzadeh | A Genealogy of Consumer Surveillance: From the First Public Market to Eaton’s Department Store to Amazon | Elmer, Greg | Langlois, Ganaele; Latham, Robert |
| Evren Ozselcuk | Turkey's Internal Other: Embodiments of Taşra in the Works of Orhan Pamuk, Nuri Bilge Ceylan, and Fatih Akin | Tschofen, Monique | Antze, Paul; Arat-Koç, Sedef |
| Amanda Oye | “Reimagining Public Service Broadcasting News for the Digital Age.” | Skinner, David | Ojo, Tokunbo; MacLennan, Anne |
| Helen Papagiannis | Augmented Reality as a New Medium: Remediation and Novel Form | Fisher, Caitlin | Murphy, Michael; Marchessault, Janine |
| Felan Parker | Playing Games With Art: The Cultural and Aesthetic Legitimation of Digital Games | Jenson, Jennifer | Dowler, Kevin; Zryd, Michael |
| Nancy Paterson | Bandwidth is Political: Reachability in the Public Internet | Murphy, Michael | Durlak, Jerry; Fletcher, Fred |
| Jonathan Petrychyn | Networks of Feeling | N/A | Straw, Will; Bociurkiw, Marusya; MacLennan, Anne; Bailey, Steven |
| Richard Pope | Stupid is: Traversing the Sinthome as the Goal of Cultural Psychoanalysis | Marchessault, Janine | Hyashi, Sharon; O'Neill, John |
| Scott Preston | Horror and Reenchantment: A Supernatural Genre in a Secular Age | Marchessault, Janine | Bailey, Steven; Tschofen, Monique |
| Izabella Pruska-Oldenhof | Why Film, Why Freud, Why Now: The Revolt and Politics of Cinema in Digital Age | Elder, Bruce | O'Neill, John; Picchione, John |
| Sophia Ricciardone | Manufacturing Dissent: A Mixed Methodological Analysis of Human Thought Algorithmic Mediation, And Political Electioneeing on Twitter | Walsh-Matthews, Stephanie; Pelkey, Jamin | Bailey, Steven C |
| Ian Robinson | Cartographic Projections of the City: Avantgarde Cinema and the Production of Locality | Marchessault, Janine | Bailey, Steve; Hayashi, Sharon |
| Laurence Robitaille | Capoeira as a resource: Multiple uses of culture under conditions of transnational neoliberalism | Coombe, Rosemary | Robinson, Danielle; Little, Kenneth |
| Philip Rose | Pragmatism not Idealism: Radiohead, Technology, and the Global Movement for Change. | Bowman, Rob | Marchessault, Janine; MacLennan, Anne |
| Richard Rosenbaum | Consciousnesses is Story-Shaped: Mapping Isomorphic Structures of Narrative and Human Cognition | Pekler, Jamin | Walsh Matthews, Stephanie; Ciabatta, David |
| Wade Rowland | Ethics and Artificial Persons: Structural Impediments to Ethical Behaviour in Modern Information Media | Seaton, Beth | Noble, David; Mooers, Colin |
| Jennifer Louise Meness | Message in the Smoke: Spirit Acts of Transfer, Liminality, and Embodied Relationships in Contemporary Powwow. | Koleszar-Green, Ruth | Crow, Barbara; Haig-Brown, Celia |
| Jennifer Ryan | Royal Beatings? An Exploration into the Shift from Development 'Gifts' to Development 'Goods' | Alhassan, Amin | Drache, Daniel; MacLennan, Anne |
| Giovanni Salas | Reclaiming Craftsmanship | N/A | Slopek, E.; Murphy, M.; Bailey, Steven; MacLennan, Anne; Thompson, K.; & Logan, B. |
| Philip Savage | Arts Intervention: Activating Cultural Memory for Social Change | Fletcher, Fred | Shields, John; Raboy, Marc |
| Lisa Schincairol | Lelawala at the Brink: Visual Culture and Colonial History in Niagara Falls, Ontario | Dowler, Kevin | Barndt, Deborah; Tschofen, Monique |
| Giovanni Salas | Reclaiming Craftsmanship | N/A | Slopek, E.; Murphy, M.; Bailey, Steven; MacLennan, Anne; Thompson, K.; & Logan, B. |
| Philip Savage | Arts Intervention: Activating Cultural Memory for Social Change | Fletcher, Fred | Shields, John; Raboy, Marc |
| Lisa Schincairol | Lelawala at the Brink: Visual Culture and Colonial History in Niagara Falls, Ontario | Dowler, Kevin | Barndt, Deborah; Tschofen, Monique |
| Robinder Kaur Sehdev | Unsettling the settler at Niagara Falls: reading colonial culture through the Maid of the Mist | Berland, Jody | O'Neill, John; Sekyi-Otu, Ato |
| Yukari Seko | Interrogating a Politics of Time: Temporality & Difference from the Agora to the Airport | Elmer, Greg | Bailey, Steve; Nolan, Jason |
| Sarah Ravi Sharma | Temporality and difference from the Agora to the airport: towards a theory of power-chronography | Berland, Jody | Slopek, Ed; Dowler, Kevin |
| Tina Sikka | Recuperating Politics from Deconstruction: A Pragmatist Critique | Ruggles, Myles | Coombe, Rosemary; Alhassan, Amin |
| Karen Skardzius | I Stream, You Stream, We all Stream: Gender, Labour, and the Politics of Online Streaming | Jensen, Jen | Boyd, Jason; Jensen, Jen |
| Christopher Smith | Remapping Urban Addiction: A user's guide to the city. | Marchessault, Janine | Little, Kenneth; Gaetz, Stephen |
| David Smith | Theorizing Avatar Sexualities: A Grounded Theory Study on the Erotics of Second Life | Marchessault, Janine | Fels, Deborah; Goodrum, Abby |
| Kelsey Speakman | Mediated Meat: Buying and Selling Beef in Canadian Supermarkets | Berland, Jody | Koc, Mustafa; Sandilands Catronia |
| Sarah Stang | Maiden, Mother, and Crone: Abject Female Monstrosity in Roleplaying Games | Jenson, Jennifer | Boyd, Jason; Fridman, May |
| Carolyn Steele | NFB/Interactive: Understand the Role of the Interface in the Production of Meaning in Interactive Online Documentaries | Fisher, Caitlin | Bailey, Steven |
| Chad Story | Obscuring Austerity: The Politics and Practices of ‘Citizen-Centred’ Design | Hadlaw, Jan | Obar, Jonathan; Coulter, Natalie |
| Sara Swain | Feral Ecologies: A Foray Into the Worlds of Animals and Media | Zryd, Michael | Marchessault, Janine; Moore, Paul |
| Michael Thorn | Know Thyself: Truth and Confession Mediating Religion and Psychology in the Christian Ex-Gay Movement | Moore, Paul | Lessard, Bruno; Skinner, David |
| Joseph Turcotte | Creative Transformation and the Knowledge-Based Economy: Intellectual Property and Access to Knowledge Under Informational Capitalism | Coombe, Rosemary | Baskoy, Tuna; Ojo, Tokunbo |
| Scott Uzelman | Direct Action Against Enclosure: "Anti-Proletarian" struggles for the "New Commons" | Moores, Colin | Skinner, David; McNally, David |
| Jennifer VanderBurgh | City Nation and Television: The Signification of Toronto Television Drama and the Consolidation of Centre-Margin Relations | Marchessault, Janine | Feldman, Seth; Morris, Peter |
| Carmen Victor | Arctic Contours: Northern Media, Canada and the Anthropocene. | Marchessault, Janine | Hayward, Mark; Bailey, Steven |
| Laura Visan | Divided We Remain' Civic Participation practices and Network Development Strategies in the Case of Romanian Immigrants from Toronto | Shields, John | Cohen, Rina; Alhassan, Amin |
| Tianchi (Jason) Wang | "Urban Walking: Configuring the Modern City as Cultural and Spatial Practice" | Gammel, Irene | Marchessault, Janine; Reisenleitner, Markus |
| Martin Watson | The Sublime as Model: Formal Complexity in Joyce, Eisenstein and Stockhausen | Elder, Bruce | Cody, Susan; Balfour, Ian |
| Nataniel Weiner | The Not-So-Secret Vice: Menswear, Masculinity & Consumption in Six Online Communities | N/A | Bailey, Steven; Cole, Shaun; Vanstone, G.; Reisenleitner, Markus; MacLennan, Anne; Muzzatti, Stephen |
| Melissa West | Marketing Madonna: Celebrity agency across the cultural industry | Berland, Jody | Moores, Colin; Skinner, David |
| Jessica Whitehead | Movie-Going On the Margins: The Mascioli Film Circuit of Northeastern Ontario | Moore, Paul | MacLennan, Anne; Machessault, Janine |
| Kyler Zeleny | Visualizing the Canadian Prairies: Photographic Representations of Rurality | Moore, Paul | Pruska-Oldenhof, Izabella; Hadlaw, Jan; Fitzpatrick, Blake; van Herk, Aritha; Moore, Paul; Brushwood Rose, Chloë |
| Han Zhang | The Root of Excellence: An Interpretive Approach to Understanding Elder Care within Transnational Chinese Families in Canada | Bailey, Steven | Blum, Alan; Ingram, Susan |
| Jeff Donison | More than a Monolith: Podcasting Authentic Self-Concepts and Cultural Affiliations in Canada | MacLennan, Anne | Steve Bailey and Paul S. Moore |
| Axelle Demus | Queering the Cable Airwaves: The Evolution of LGBTQ2+ Community Television in Ontario, Canada (1977-2001) | MacLennan, Anne | Janine Marchessault and Paul S. Moore |
| Fahtemeh Sima Shakeri | How Dream's Online Behaviour Influences Fans | Natalie Coulter | |
| Karina Darminto | You Cannot Walk a Mile in My Shoes: Exploring Virtual Reality Story“living” on the International Student Experience in Canada | Rebecca Caines | Kelly Bergstrom, Taien Ng-Chan |
| Hongyun Liu | Digital Frameworks: Examining Cultural Norms and State Policies on Social Media Content in Canada and China | Rianka Singh | |
| Winona Angelie Arador | Diasporic Spaces of Un/belonging: Migration, Precarity, and Renting | Casey Mecija | |
| Jakob Glogauer | Urban Sports Culture – A Comparison Between Toronto and New York | Steve Bailey | |
| Sandra Doyle | Unmasking the Allure: The Role of Social Media in Nurturing Parasocial Connections | Steve Bailey |
| Name | Dissertation | Supervisor | Committee |
|---|---|---|---|
| Samantha Abel | Let's talk about your weight": How fatphobia manifests in therapy | Friedman, May | MacLennan, Anne; Gingras, Jacqui |
| Ahmed Abul | Press Freedom and Democracy in Bangladesh: A Study of Press Regulations | Fletcher, Fred | Cukier, Wendy; Drache, Daniel |
| Samuel McCready | Playing and Making History: How Game Design And Gameplay Afford Opportunities For A Critical Engagement With The Past | Jenson, Jennifer | Boyd, Jason; Smith, Bryan |
| Murat Akser | N/A | Feldman, Seth | Drache, Daniel; Fletcher, Fred |
| Christopher Alton | Zombies, Phallic Monsters, and Rocket Launchers:An Examination of Gender Representations and Simulations in the Resident EvilSeries | N/A | Langlois, Ganaele; McCullough, John |
| Pamela Andrews | Somatic Anacrusis: An Experiential Poetics of Deborah Hay's Choreography and Practice in the Solo At Once | Bailey, Steven | Robinson, Danielle; Levin, Laura |
| Susan Ashley | Museum Renaissance? Revisioning 'publicness' at the Royal Ontario Museum, Toronto. | Cohnstaedt, Joy | Mooers, Colin; Prokopow, Michael |
| Nicholas Balaisis | Seeing for the First Time: Cinema Spectatorship, the Public Sphere, and the Making of Cuban Revolutionary Subjects | Zryd, Michael | Dowler, Kevin; Marchessault, Janine |
| Ann Barrow | Homeless on the Range: Masculinity and The Orphan Myth in the American Western, 1950–1990 | Feldman, Seth | Cameron, Evan; Leonard, Gary (UT) |
| Andrew Bieler | Exhibiting Climate Change: An Examination of Thresholds of Arts-Sciences Collaborations in the Context of Learning for a Sustainable Future | Marchessault, Janine | Barndt, Deborah; Crichlow, Warren |
| Mary-Ann Boateng | Community, Housing, and Crime: Framing the News Coverage of Lawrence Heights and Rexdale | MacLennan, Anne | Hayward, Mark; Thompson, Cheryl |
| Kelly Bronson | Framing the Debate: How Scientism in the language of the law binds public-biotechnology engagement | Berland, Jody | Ruggles, Myles; Imhotep, Edward |
| Jeremy Buesink | Storytelling, Myth, and the Dreams Therein: A Critical Analysis of the Intertextuality of Christianity, Capitalism, and Americanism | Anne MacLennan | Steve Bailey, Elizabeth Trott |
| Roberta Buiani | Viral Culture(s): An Investigation into the cultural lives of Computer Viruses | Marchessault, Janine | Tenhaaf, Nell; Elmer, Greg |
| Darcey Callison | Dancing Masculinity for Hollywood: The American Dream, Whiteness and the Movement Vocabulary within Hollywood's Choreography for Men | Crow, Barbara | Forsyth, Scott; Elder, Bruce |
| Alex Chalk | Producing Play: The Political Economy of "Actual Play" Media | Jenson, Jennifer; Dubois, Louis-Etienne | Langlois, Ganaele; Bailey, Steven |
| David Clifton | A Lexicon of Force: Framing Language and Television News Coverage of the 2003 War in Iraq | Drache, Daniel | Fletcher, Fred; Allen, Gene |
| Nicole Cohen | N/A | Mazepa, Patricia | Vosko, Leah; Ross, Stephanie |
| Thomas Cooke | What's That Noise? Or, a Case Against Digital Privacy as a Matter of Regulation and Control | Latham, Robert E | Hadlaw, Jan; Jones-Imhotep, Edward |
| Michelle Coyne | This Project Can Be Upcycled Where Facilities Are Available: An Adventure Through Toronto's Food/Waste Scape | Moore, Paul | Skinner, David; Bailey, Steven |
| Constance Crompton | Making the Modern Man: Eugen Sandow and Muscled Masculinity | Janzen, Lorraine | Lightman, Bernie; Braun, Martac |
| Trevor Cunnington | Schadenfreude, Villainy, and Empathy: the Ideological Life of Media Representations of "White Trash" | McCullough, John | Forsyth, Scott; Prokopow, Michael |
| Michael Curran | One Nation Under the Market: Mediated Narratives of the 2008 Crisis in America | Bailey, Steven | Moore, Paul; Dowler, Kevin |
| Brady Curlew | Play/Counterplay: The Cultural Politics of Digital Game Modification | Marchessault, Janine | Crow, Barbara; Elmer, Greg |
| Patricio Davila | Visualization as Assemblage: How Modesty, Ethics, and Attachment Inform a Critical Design Practice | Marchessault, Janine | Fisher, Caitlin & Hadlaw, Jan |
| Joshua Dittrich | Geosonics: Bodies, Instruments, Interfaces | Cecchetto, David | Marchessault, Janine |
| Patrick Dolan | Retro Resonance: The Affective and Rhetorical Power of Post-Retro Aesthetics in Video Games | Markus Reisenleitner | Alison Harvey |
| Tamar Michelle Faber | "Now I See The Importance of History": Tracing The Geneaology of Hip Hop, Young People and The Academy | Diamini, Nombuso | Thompson, Cheryl; Mecija, Casey; Campbell, Miranda; Coulter, Natalie |
| Lai-Tze Fan | Pre | Digital Liminalities: A Hermeneutics of the Intermedial and Materiality in the Print Intermedial Novel | Tschofen, Monique | Reisenleitner, Markus; Fisher, Caitli |
| Naomi Fraser | 'We are all connected': internationalism, communication and Canadian identity | Berland, Jody | Shields, John; Isin, Ergin |
| Anna Friz | The Radio of the Future Redux: Rethinking Transmission through Experiments in Radio Art | Bailey, Steven | Fisher, Jennifer; Marchessault, Janine |
| Amir Ganjavie | Contemporary Hollywood and the Spirit of Hope: America, Celluloid, and the Desire (mis)called (dis)Utopia | Bell, Shannon | Marchessault, Janine; McCullough, John |
| Tyrone Hall | Global Narratives & the Vulnerable Frontiers: A Critical Assessment of Global Climate Change Communication Processes & Traditional Retentions | MacLennan, Anne | Bailey, Steven; Ojo, Tokunbo; MacLennan, Anne; Tegelberg, Matthew; Skinner, David |
| Rebecca Halliday | The Live Fashion Show in Mediatized Consumer Culture | Ingram, Susan | Pedersen Isabel; Schweitzer, Marlis Erica |
| Milan Hanan | The Media-Foreign Policy Relationship: Pakistan's Media Image and U.S. Foreign Policy | Fletcher, Fred | Cukier, Wendy; Drache, Daniel |
| Abu Faiz Md Haque | The Cultural Mediation of the Margin | Markus Reisenleitner | Sylvia Bawa, Ranu Basu |
| Daniel Harley | The Politics of Consumer VR: Framing Contemporary Virtual Reality | Jensen, Jennifer | Nolan, Jason; Mazalek, Ali |
| Alison Harvey | N/A | Crow, Barbara | Coombe, Rosemary; Jenson, Jennifer |
| Jaigris Hodson | Followers, Users and Friends: Technology, Participation and Organizational Stories on the Google, Facebook, and Twitter Blogs 2006–2011 | Drache, Daniel | Cukier, Wendy; Fletcher, Fred |
| Emilie Hurst | Worshipping at the Shrine of Wagner: Fandom, Media and Richard Wagner | Bailey, Steven C | Bowman, Rob; Dowler, Kevin Leslie |
| Steve Jankowski | The Trouble with Knowing: Wikipedian consensus and the political design of encyclopedic media | MacLennan, Anne | Obar, Jonathan; Hadlaw, Jan |
| Lianrui Jia | Cooptation, Collusion Contestations; Development, Regulation and Globalization of Internet in China | Middleton, Catherine | Elmer, Greg; Ojo, Tokunbo |
| Constance John | The evolution of the Canadian Film industry in Quebec (1968–1983) | Cohnstaedt, Joy | Shields, John; Sauvageau, Florian |
| Jon Johnson | Pathways to the Eighth Fire: Mapping Indigenous Knowledge in Toronto | McNab, David | Fletcher, Fred; Angus, Lynne; Newhouse, David |
| Naveen Joshi | Arranged Identities: Second Generation South Asian Canadians in Shaadi.com | Crow, Barbara | Dua, Enakshi; Coombe, Rosemary |
| Aleksandra Kaminska | Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004–2009 | Marchessault, Janine | Trifonova, Temenuga; Eichhorn, Kate |
| Lewis Kaye | Hearing Space: The Social Architecture of Aural Experience | Myles Ruggles | Herman, Andrew; Marchessault, Janine |
| Shahbaz Khayambashi | Visualizing Struggle: The Use of Imagery in the Continuing Story of the Black Lives Matter Movement | Bell, Shannin M | MacLennan, Anne; Bailey, Steven C |
| Shila Khayambashi | Peer Aggression, Canadian Style: Multiculturalism and Xenobullying | Visano, Livy A | Goulding, Jay; Foster, Lorne |
| Mirah Jennifer Kirshner | American Girl: A Critical Inquiry Into Dolls, Childhood, and Consumer Culture | Podnieks, Liz | Bailey, Steven; Cowdy, Cheryl |
| Gregory Klages | Representative (of) Democracy: The Rise and Decline of the Keynesian Era in Canadian Visual Arts Policy (1941–1984) | Salter, Liora | Mooers, Colin; Nelles, Viv |
| Helmut Klassen | "Life As It Is" A Renovation of the Project and the City | Elder, Bruce | Marchessault, Janine; Tschofen, Monique |
| Christine Korte | Refusing the End of History: The Politics and Aesthetics of FrankCastorf’s Volksbühne | Bailey, Steven | Bailey, Steven; Dowler, Leslie; Slopek, E; Hadlaw, Jan; Mueller, G; Siegal, M |
| Irena Knezevic | Discourses of Privatization and Industrialization: Agricultural Changes in the Former Yugoslavia | Fletcher, Fred | Coombe, Rosemary; Shields, John; Koç, Mustafa |
| Duncan Koerber | Communication as Mobilization: The Development of Newspaper-based Political Parties in Upper Canada, 1820–1841 | Allen, Gene | Fletcher, Fred; Skinner, David; Allen, Gene |
| Kaitlyn Kribs | From Piracy Panic to Platform Praise (and Back Again): Digitization’s Impact on Making, Moving, and Monetizing Music in Canada | Campbell; Miranda | Bailey, Steven; Skinner, David |
| Alysse Kushinski | The Potential of Leaks: Mediation, Materiality, & Incontinent Domains | N/A | Hadaw, Jan; Marchessault, Janine; Straw, Will; Bell, Shannon; Bailey, Steven; Bunch, Mary |
| Martha Ladly | Eros, Women, and Technology | Elder, Bruce | Fisher, Jennifer; Jenson, Jennifer |
| Andrew Laing | A Critical Evaluation of the Methodological Underpinnings of Agenda—Setting Research, and a New Media Approach | Fletcher, Fred | Davis, Charles; MacDermid, Robert |
| Ganaele Langlois | N/A | Crow, Barbara | Bailey, Steve; Elmer, Greg |
| Sabine Lebel | The Life Cycle of the Computer: A Study in the Materialities of Risk | Berland, Jody | Fitzpatrick, Blake; Prokopow, Michael |
| Cynthia Leibel | Anatomy Of Higher Education Fundraising In Canada | MacLennan, Anne | Coulter, Natalie; Obar, Jonathan |
| Steven Logan | Modernist Urbanism in the Age of Automobility: Producing Space in the Suburbs of Toronto and Prague | Berland, Jody | Marchessault, Janine; Keil, Roger |
| Bryn Ludlow | "What makes a great story?”: Multidisciplinary and International Perspectives On Digital Stories By Youth Formerly In Foster Care In Canada. | Flicker, Sarah | Crawford, Allison; Bailey, Steven |
| Monica Macdonald | Producing the Public Past: Canadian History on CBC Television, 1952–2002 | Fletcher, Fred | Cohnstaedt, Joy; Heron, Craig |
| Shana MacDonald | Between Frames: Feminist Experimental Media 1960–2010 | Marchessault, Janine | Longfellow, Brenda; Levin, Laura; Zryd, Michael |
| Timothy MacNeill | Culturally Sustainable Development: Maya Cosmovision, El Centro Pluricultural Para la Democracia, and The Idea of Development | Ruggles, Myles | Alhassan, Amin; Spotton-Visano, Brenda |
| Heather Maguire | Airwaves & Waterways: Mobile Networks, Information & Communication Technologies | Crow, Barbara | Middleton, Catherine; Adelson, Naomi |
| Michael Marlatt | "No one said anything abut driving in Film Preservation 101!": The Lived Experience of Disability, Chronis Illness, and Neurodiversity in Moving Image Archival Education | Marchessault, Janine | Latsis, Dimitrios; Chandler, Eliza |
| Sara Martel | Seeing Invisible Subjects: The Biopolitics of Perinatal Loss Photograph | Murray, Stuart | Bailey, Steven; Davidson, Deborah |
| George Martin | From Lifeworld to City Life: Rethinking how the Culture of Everyday Life in Cities Engages Urban Administration | Bailey, Steven C | Blum Alan; Reisenleitner, Markus |
| Alejandro Mayoral Banos | Tech Anishinaabe Medicine Wheel: Decolonial Design Principles within Digital Technologies through the Development of the Indigenous Friends Platform | Crow, Barbara | Green, Ruth; Chen, Stephen; Couture, Stephane |
| Victoria McArthur | Me, Myself, and I(nterface): An Analysis of Character Creation Interfaces and Affordances in Massively Multiplayer Online Games | Jenson, Jennifer | Bailey, Steven; Nolan, Jason |
| David McIntosh | Globalization, Networks and Audiovisual Spaces: Shifting Representational Relations in Canada, Mexico and Argentina | Longfellow, Brenda | Shields, John; Drache, Daniel |
| Brianna Wiens | Moving with Stories of "Me too.": Towards a Theory and Praxis of Intersectional Entanglements | MacLennan, Anne | Danisch, Robert; Marchessault, Janine |
| Caitlin McKinney | The Cultural Politics of Digital Media in Queer Archival Contexts | Driver, Susan | Noble, Bobby; Eichhorn, Kate |
| David Meurer | Network Narrative: Prose Narrative Fiction and Participatory Cultural Production in Digital Information and Communication Networks | Fisher, Caitlin | Tschofen, Monique; Coombe, Rosemary |
| Andrey Miroshnichenko | Examining the impact of new media on the news media from the integrated viewpoint of media ecology and the political economy of communication | Markus Reisenleitner | David Skinner, Steve Bailey |
| Aidan Moir | Punk, Obamacare, and a Jesuit: Branding the Iconic Ideals of Vivienne Westwood, Barack Obama, and Pope Francis | MacLennan, Anne | Hadlaw, Jan; Bailey, Steve |
| Alla Miroshnichenko | Multi-Modal Game Design as a Medium of Digital Communication | Jenson, Jen | Gelb, David; Wakefield, Graham |
| Tanner Mirrlees | Cultural Mediations of American Empire | Mooers, Colin | Forsyth, Scott; McNally, Dave |
| Aimee Mitchell | Amateur Itinerant Filmmaking in 1940s Ontario: A Case Study in the Role of Activists in Preserving Marginal Cinema in Canadians Local Archives | Zryd, Michael | Marchessault, Janine; Moore, Paul |
| Ravindra Mohabeer | Looking at "made up" girls: Linking girls, life skills and media education | A., Goodrum, | Crow, Barbara; Jensen, Jennifer |
| Janice Nathanson | From Praxis to Theory: Expanding and Enriching Social Marketing | Seaton, Beth | Ruggles, Myles; Tschofen, Monique; Fletcher, Fred |
| Bahar Nasirzadeh | A Genealogy of Consumer Surveillance: From the First Public Market to Eaton’s Department Store to Amazon | Elmer, Greg | Langlois, Ganaele; Latham, Robert |
| Evren Ozselcuk | Turkey's Internal Other: Embodiments of Taşra in the Works of Orhan Pamuk, Nuri Bilge Ceylan, and Fatih Akin | Tschofen, Monique | Antze, Paul; Arat-Koç, Sedef |
| Amanda Oye | “Reimagining Public Service Broadcasting News for the Digital Age.” | Skinner, David | Ojo, Tokunbo; MacLennan, Anne |
| Helen Papagiannis | Augmented Reality as a New Medium: Remediation and Novel Form | Fisher, Caitlin | Murphy, Michael; Marchessault, Janine |
| Felan Parker | Playing Games With Art: The Cultural and Aesthetic Legitimation of Digital Games | Jenson, Jennifer | Dowler, Kevin; Zryd, Michael |
| Nancy Paterson | Bandwidth is Political: Reachability in the Public Internet | Murphy, Michael | Durlak, Jerry; Fletcher, Fred |
| Jonathan Petrychyn | Networks of Feeling | N/A | Straw, Will; Bociurkiw, Marusya; MacLennan, Anne; Bailey, Steven |
| Richard Pope | Stupid is: Traversing the Sinthome as the Goal of Cultural Psychoanalysis | Marchessault, Janine | Hyashi, Sharon; O'Neill, John |
| Scott Preston | Horror and Reenchantment: A Supernatural Genre in a Secular Age | Marchessault, Janine | Bailey, Steven; Tschofen, Monique |
| Izabella Pruska-Oldenhof | Why Film, Why Freud, Why Now: The Revolt and Politics of Cinema in Digital Age | Elder, Bruce | O'Neill, John; Picchione, John |
| Sophia Ricciardone | Manufacturing Dissent: A Mixed Methodological Analysis of Human Thought Algorithmic Mediation, And Political Electioneeing on Twitter | Walsh-Matthews, Stephanie; Pelkey, Jamin | Bailey, Steven C |
| Ian Robinson | Cartographic Projections of the City: Avantgarde Cinema and the Production of Locality | Marchessault, Janine | Bailey, Steve; Hayashi, Sharon |
| Laurence Robitaille | Capoeira as a resource: Multiple uses of culture under conditions of transnational neoliberalism | Coombe, Rosemary | Robinson, Danielle; Little, Kenneth |
| Philip Rose | Pragmatism not Idealism: Radiohead, Technology, and the Global Movement for Change. | Bowman, Rob | Marchessault, Janine; MacLennan, Anne |
| Richard Rosenbaum | Consciousnesses is Story-Shaped: Mapping Isomorphic Structures of Narrative and Human Cognition | Pekler, Jamin | Walsh Matthews, Stephanie; Ciabatta, David |
| Wade Rowland | Ethics and Artificial Persons: Structural Impediments to Ethical Behaviour in Modern Information Media | Seaton, Beth | Noble, David; Mooers, Colin |
| Jennifer Louise Meness | Message in the Smoke: Spirit Acts of Transfer, Liminality, and Embodied Relationships in Contemporary Powwow. | Koleszar-Green, Ruth | Crow, Barbara; Haig-Brown, Celia |
| Jennifer Ryan | Royal Beatings? An Exploration into the Shift from Development 'Gifts' to Development 'Goods' | Alhassan, Amin | Drache, Daniel; MacLennan, Anne |
| Giovanni Salas | Reclaiming Craftsmanship | N/A | Slopek, E.; Murphy, M.; Bailey, Steven; MacLennan, Anne; Thompson, K.; & Logan, B. |
| Philip Savage | Arts Intervention: Activating Cultural Memory for Social Change | Fletcher, Fred | Shields, John; Raboy, Marc |
| Lisa Schincairol | Lelawala at the Brink: Visual Culture and Colonial History in Niagara Falls, Ontario | Dowler, Kevin | Barndt, Deborah; Tschofen, Monique |
| Giovanni Salas | Reclaiming Craftsmanship | N/A | Slopek, E.; Murphy, M.; Bailey, Steven; MacLennan, Anne; Thompson, K.; & Logan, B. |
| Philip Savage | Arts Intervention: Activating Cultural Memory for Social Change | Fletcher, Fred | Shields, John; Raboy, Marc |
| Lisa Schincairol | Lelawala at the Brink: Visual Culture and Colonial History in Niagara Falls, Ontario | Dowler, Kevin | Barndt, Deborah; Tschofen, Monique |
| Robinder Kaur Sehdev | Unsettling the settler at Niagara Falls: reading colonial culture through the Maid of the Mist | Berland, Jody | O'Neill, John; Sekyi-Otu, Ato |
| Yukari Seko | Interrogating a Politics of Time: Temporality & Difference from the Agora to the Airport | Elmer, Greg | Bailey, Steve; Nolan, Jason |
| Sarah Ravi Sharma | Temporality and difference from the Agora to the airport: towards a theory of power-chronography | Berland, Jody | Slopek, Ed; Dowler, Kevin |
| Tina Sikka | Recuperating Politics from Deconstruction: A Pragmatist Critique | Ruggles, Myles | Coombe, Rosemary; Alhassan, Amin |
| Karen Skardzius | I Stream, You Stream, We all Stream: Gender, Labour, and the Politics of Online Streaming | Jensen, Jen | Boyd, Jason; Jensen, Jen |
| Christopher Smith | Remapping Urban Addiction: A user's guide to the city. | Marchessault, Janine | Little, Kenneth; Gaetz, Stephen |
| David Smith | Theorizing Avatar Sexualities: A Grounded Theory Study on the Erotics of Second Life | Marchessault, Janine | Fels, Deborah; Goodrum, Abby |
| Kelsey Speakman | Mediated Meat: Buying and Selling Beef in Canadian Supermarkets | Berland, Jody | Koc, Mustafa; Sandilands Catronia |
| Sarah Stang | Maiden, Mother, and Crone: Abject Female Monstrosity in Roleplaying Games | Jenson, Jennifer | Boyd, Jason; Fridman, May |
| Carolyn Steele | NFB/Interactive: Understand the Role of the Interface in the Production of Meaning in Interactive Online Documentaries | Fisher, Caitlin | Bailey, Steven |
| Chad Story | Obscuring Austerity: The Politics and Practices of ‘Citizen-Centred’ Design | Hadlaw, Jan | Obar, Jonathan; Coulter, Natalie |
| Sara Swain | Feral Ecologies: A Foray Into the Worlds of Animals and Media | Zryd, Michael | Marchessault, Janine; Moore, Paul |
| Michael Thorn | Know Thyself: Truth and Confession Mediating Religion and Psychology in the Christian Ex-Gay Movement | Moore, Paul | Lessard, Bruno; Skinner, David |
| Joseph Turcotte | Creative Transformation and the Knowledge-Based Economy: Intellectual Property and Access to Knowledge Under Informational Capitalism | Coombe, Rosemary | Baskoy, Tuna; Ojo, Tokunbo |
| Scott Uzelman | Direct Action Against Enclosure: "Anti-Proletarian" struggles for the "New Commons" | Moores, Colin | Skinner, David; McNally, David |
| Jennifer VanderBurgh | City Nation and Television: The Signification of Toronto Television Drama and the Consolidation of Centre-Margin Relations | Marchessault, Janine | Feldman, Seth; Morris, Peter |
| Carmen Victor | Arctic Contours: Northern Media, Canada and the Anthropocene. | Marchessault, Janine | Hayward, Mark; Bailey, Steven |
| Laura Visan | Divided We Remain' Civic Participation practices and Network Development Strategies in the Case of Romanian Immigrants from Toronto | Shields, John | Cohen, Rina; Alhassan, Amin |
| Tianchi (Jason) Wang | "Urban Walking: Configuring the Modern City as Cultural and Spatial Practice" | Gammel, Irene | Marchessault, Janine; Reisenleitner, Markus |
| Martin Watson | The Sublime as Model: Formal Complexity in Joyce, Eisenstein and Stockhausen | Elder, Bruce | Cody, Susan; Balfour, Ian |
| Nataniel Weiner | The Not-So-Secret Vice: Menswear, Masculinity & Consumption in Six Online Communities | N/A | Bailey, Steven; Cole, Shaun; Vanstone, G.; Reisenleitner, Markus; MacLennan, Anne; Muzzatti, Stephen |
| Melissa West | Marketing Madonna: Celebrity agency across the cultural industry | Berland, Jody | Moores, Colin; Skinner, David |
| Jessica Whitehead | Movie-Going On the Margins: The Mascioli Film Circuit of Northeastern Ontario | Moore, Paul | MacLennan, Anne; Machessault, Janine |
| Kyler Zeleny | Visualizing the Canadian Prairies: Photographic Representations of Rurality | Moore, Paul | Pruska-Oldenhof, Izabella; Hadlaw, Jan; Fitzpatrick, Blake; van Herk, Aritha; Moore, Paul; Brushwood Rose, Chloë |
| Han Zhang | The Root of Excellence: An Interpretive Approach to Understanding Elder Care within Transnational Chinese Families in Canada | Bailey, Steven | Blum, Alan; Ingram, Susan |
| Jeff Donison | More than a Monolith: Podcasting Authentic Self-Concepts and Cultural Affiliations in Canada | MacLennan, Anne | Steve Bailey and Paul S. Moore |
| Axelle Demus | Queering the Cable Airwaves: The Evolution of LGBTQ2+ Community Television in Ontario, Canada (1977-2001) | MacLennan, Anne | Janine Marchessault and Paul S. Moore |
| Keah Hansen | An Overheated Dollar: How the Framing of the 1970s Inflation Led to the Swapping of Social Spending with Finance, and the Consequences for Our Wellbeing | Mark Hayward | Ganaele M. Langlois, Matthew Tiessen |
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The York & Toronto Metropolitan University Joint Graduate Program in Communication & Culture at York is an exciting environment to pursue innovative, socially engaging, career-ready education.