Research Associates

My doctoral research focuses on Orientalism, the history of archaeology in the Near East and Latin America from the 18th to 20th centuries, and Near Eastern studies in Latin America. My research interests also include Spanish phonology and loanword adaptation.

Country(ies) or Region(s) of Specialization: Mesoamerica, Andes, Argentina, and Brazil

Keywords: Archaeology, Art History, Orientalism, Linguistics, Religion, and Law

My research focuses on sexuality education in schools in El Salvador.

Country(ies) or Region(s) of Specialization: El Salvador

Keywords: Sexuality Education, Decolonial Feminist Praxis

I am a PhD student in Science and Technology Studies (STS). My dissertation will examine the work of the seventeenth-century Spanish philosopher Juan Caramuel, who took seriously the marginalized knowledge of indigenous peoples. It will explore how the indigenous peoples of the New World inspired Caramuel to develop his theory of numeration, his notion that there exist “many possible arithmetics”. It will draw upon postcolonial theory, especially as it relates to STS and the history of science.

In previous lives, I have variously been an educator, an IT consultant, a computer programmer, a human rights activist, and a freelance writer. One article that I wrote for This Magazine, “Take me to Havana,” was cited by both the Globe and Mail and the Toronto Star as the “best magazine read” of the week. Another article, “Farming it out,” inspired a Toronto Star investigative series on a farmworker, Hermelindo Gutiérrez, who faced deportation because of his health. As a result of the media attention that Gutiérrez received, he was allowed to remain in Canada.

I have served on the board of directors of Amnesty International Canada, where I helped lead Amnesty’s work on business and human rights, especially as it relates to Canadian mining companies in Latin America. I am a past president of the board of the Centro para Gente de Habla Hispana, a United Way agency that serves Toronto’s Latin American community. I have also been involved in groups such as the Latin American Coalition Against Racism (a group formed to combat police racism against Latinos), STATUS (a group that advocated for non-status immigrants), and No One Is Illegal.

Country(ies) or Region(s) of Specialization: Mexico, Peru, Paraguay

Keywords: History of science, postcolonialism, indigenous knowledge

Linn Biorklund Belliveau is a PhD candidate in the Department of Geography at York University. Her research interests include human displacement, violence, humanitarianism, and feminist geopolitics. The purpose of Linn’s doctoral research stem from years of working with displaced communities and non-governmental organisations, including Médecins Sans Frontières, in Mexico, Central America and many other parts of the world. Using ethnographic, participatory and art-based methods she engages feminist epistemologies and centres transnational collaborations, to question reductionist representations of people who manoeuvre cross border lives and related spaces. Her dissertation, which is funded by the Social Sciences and Humanities Research Council of Canada (SSHRC) and the Graduate Fellowship for Academic Distinction, is currently titled: Geographies of Violence and Contestation across Borders: Everyday Politics of Migrant Women at the Mexico-Guatemala U.S. Proxy Border. She also conducts research on temporary protection mechanisms, in view of restrictive immigration policies and wellbeing. Her related publications have appeared in journals such as Geopolitics; Refugee Survey Quarterly; and Conflict and Health. Linn is also a research fellow at York University Centre for Refugee Studies and Dahdaleh Institute for Global Health Research.

Country(ies) or Region(s) of Specialization: Mexico, Northern Central America

Keywords: Human displacement, violence, humanitarianism, feminist geopolitics

Kristina Borg is a Ph.D. candidate in the Dance Department at York University. Her research is focused on Afro-Caribbean music and dance, in particular the history and practice of bachata: a dance form and musical genre from the Dominican Republic. By using ethnographic and historiographic methods, Kristina’s research aims to celebrate and understand the interconnections of the African and Indigenous-Caribbean roots of globally popular Latinx social dance forms. Central to this undertaking is a critical investigation of identity formation, nationalism, and cultural appropriation within these transnational popular dance communities.

Country(ies) or Region(s) of Specialization: The Dominican Republic and Dominican/ Latin American and Caribbean Diasporic Communities

Keywords: dance, music, ethnography, history, postcolonialism

I am a Ph.D. candidate in the Department of History who is interested in the strategic architecture of U.S. foreign relations with the Anglophone Caribbean during the Cold War. He currently serves as an archival assistant at the CERLAC resource center under the supervision of Dr. Liisa North. Over the Summer of 2022, he is assisting in digitizing archival sources on the history of Black power, Indigenous land rights, and women’s movements in the Anglophone Caribbean.

Country(ies) or Region(s) of Specialization: Anglophone Caribbean, Jamaica

Keywords: radical politics, racial justice, social movements, and decolonization from below

Being originally a dancer in Ecuador myself, my research focuses on concert dance practices in Quito-Ecuador. Since dominant narratives about concert dance are -for the most part- originated, located and modelled through global centers and designs -like Europe and North America-, my work starts as an effort to examine the colonial determinations at play when looking at and writing about the local practices. Within a Eurocentric, historicist framework, Ecuadorian concert dance would necessarily be rendered as a ‘minor’ history. I am interested in how this imbalance of participation in the making of those narratives determines and influences the local dance practices themselves, but also, creates an affective atmosphere that doesn’t allow for autonomy or mobility within the form. In order to deal with that asymmetry, I have endeavored to develop modes of self-narrating the local dance history.