You Don’t Play With Revolution collects seven never-before-published lectures by Marxist cultural critic C.L.R. James, delivered during his stay in Montréal in 1967-1968. Ranging in topic from Marx and Lenin to Shakespeare and Rousseau to Caribbean history and the Haitian Revolution, these lectures demonstrate the staggering breadth and clarity of James’ knowledge and interest.
For the first time since 1968, David Austin brings alive the speeches and debates of the most important international gathering of black radicals of the era. With never-before-seen texts from Stokely Carmichael, Walter Rodney, and C. L. R. James, these documents will prove invaluable to anyone interested in black radical thought and political activism of […]
In the 1960s, for at least a brief moment, Montreal became what seemed an unlikely centre of Black Power and the Caribbean left. In October 1968 the Congress of Black Writers at McGill University brought together well-known Black thinkers and activists from Canada, the United States, Africa, and the Caribbean—people like C.L.R. James, Stokely Carmichael, […]
In Dread Poetry and Freedom David Austin explores the themes of poetry, political consciousness, and social transformation through the prism of Johnson's work. Drawing from the Bible, reggae and Rastafari, and surrealism, socialism, and feminism, and in dialogue with Aimé Césaire and Frantz Fanon, C.L.R. James and Walter Rodney, W.E.B. Du Bois, Johnson's work becomes a crucial […]
This article examines the historical and contemporary variants of these images and the narratives constructed around them, arguing that Canada’s history of colonial violence, slavery and racism has been marginalised through their circulation, and that their continued invocation in public debates on crime, terrorism and immigration is a crucial factor in the perpetuation of racial […]
The first book to consolidate the field of African Canadian Art History. Charmaine A. Nelson and a group of established and up-and-coming artists, scholars, and cultural critics argue for an African Canadian Art History which can simultaneously examine the artistic contributions of black Canadian artists within their unique historical contexts, critique the colonial representation of […]
Nineteenth-century neoclassical sculpture was a highly politicized international movement. Based in Rome, many expatriate American sculptors created works that represented black female subjects in compelling and problematic ways. Rejecting pigment as dangerous and sensual, adherence to white marble abandoned the racialization of the black body by skin color. In The Color of Stone, Charmaine A. Nelson brilliantly […]
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily […]
This article examines how stereotypes operate in the social construction of African Canadian males as “at risk” students. Cultural analysis and critical race theory are used to explain how the stereotypes of the youth as immigrant, fatherless, troublemaker, athlete, and underachiever contribute to their racialization and marginalization that in turn structure their learning processes, social […]
This groundbreaking resource will introduce readers to community justice, a growing field dedicated to mobilizing communities as active partners in crime control. Providing a solid foundation in the relevant theoretical approaches, frameworks, and terminology, contributors highlight the barriers and injustices diverse populations face when interacting with Canada’s criminal justice system. Beverly-Jean Daniel’s anthology investigates the […]