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Hyacinth Simpson
"Re-Framing the colonial Caribbean: Joscelyn Gardner's White Skin, Black Kin: A Creole Conversation Piece" in Postcolonial Studies, 15
The article discusses the role that the visual arts and museums-through the way their framing and selection choices shape viewers' perception-play in the construction and deconstruction of post/colonial Caribbean identities. The locus of the analysis is a multimedia installation titled White Skin, Black Kin: A Creole Conversation Piece, which was mounted at the Barbados Museum […]