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Mark V. Campbell

Everything Remains Raw: Photographic Toronto’s Hip Hop Culture from Analogue to Digital

A photographic excavation of Toronto’s hip hop archive, …Everything Remains Raw draws on photographs of Kardinal Offishall, Michie Mee, Dream Warriors, Maestro, Drake, Director X, and others by Michael Chambers, Sheinina Raj, Demuth Flake, Craig Boyko, Nabil Shash, Patrick Nichols, and Stella Fakiyesi to offer a deep dive in hip hop’s visual culture. An intentional intersection of […]

“Scratch, Look & Listen: Improvisatory Poetics and Digital DJ Interfaces” in Critical Studies in Improvisation, 10 (1), 1-10

Since 2004, digital interfaces have become the dominant mode in which professional hip hop DJs perform for their audiences. There are a number of benefits and drawbacks to utilizing digital interfaces, such as increased or decreased abilities to improvise. This essay explores the impacts of digital interfaces on the hip hop DJ’s abilities to improvise […]

“‘Other/ed’ Kinds of Blackness: An Afrodiasporic Versioning of Black Canada” in Southern Journal of Canadian Studies, 5 (1-2), 46-65

For centuries Canada has been home to several overlapping diasporas partially consisting of African Americans refugees, exiled Maroons, Black Loyalists, and many others migrant groups from various African diasporas. Accordingly, the possibility of ‘a’ Black Canadian identity remains illusive, due in part to continual influxes of members of the African diaspora into Canada. The rigidity […]