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The Alchemy Lecture

The Alchemy Lecture is a multi-vocal model that brings together a constellation of thinkers and practitioners from different disciplines and geographies annually to think together and in public on the most pressing issues of our times.

Sound—at the Interregnum

Web graphic for The Alchemy Lecture

Four Alchemists. One Lecture.
A Constellation of Ideas.

Date: October 30, 2025

The Canada Research Chair in Black Studies in the Humanities, the Faculty of Liberal Arts & Professional Studies, and York University are proud to be hosting the Fourth Annual Alchemy Lecture, Sound—at the Interregnum.

Each lecture culminates in the publication of a book bearing the title of that year's convening in the imprint, headed by Dionne Brand, Alchemy by Knopf. Along with the inclusion of an introduction, each book extends the public lecture and builds on its alchemical form. These lectures (and the book that will result from them) speak into the interregnum of precipitous climate catastrophe and social and political reckoning. The previous lectures, including last year’s The City of Our Dreaming, are available for purchase from the York University Book Store in the lobby. The book from this year’s lecture will be published in September 2026 and will be available for purchase then and at next year’s lecture.

Hosted by Christina Sharpe – Professor, Canada Research Chair in Black Studies in the Humanities, Ravi de Costa – Associate Dean of LA&PS, Janice Anderson – Assistant Professor, Trent University, Research Associate, Alchemy Lecture, Sheba Wiafe – PhD Student, SPTH, York University and Ola Mohammed – Assistant Professor, Humanities, York University.


Moderator: Christina Sharpe

Christina Sharpe is a writer, Professor, and Tier 1 Canada Research Chair in Black Studies in the Humanities at York University in Toronto. Sharpe is the author of Monstrous Intimacies: Making Post-Slavery Subjects (2010), In the Wake: On Blackness and Being (2016), and Ordinary Notes (2023)—winner of the Hilary Weston Writer’s Trust Prize in Nonfiction and the Hodler Prize, and finalist for The National Book Award in Nonfiction, The National Book Critics Circle Award in Nonfiction, the Los Angeles Times Current Interest Book Award, and the James Tait Black Prize in Biography. In 2024, she was awarded a Windham-Campbell Prize in Nonfiction, was named a Guggenheim Fellow, and received the Canada Council for the Arts Molson Prize for the Sciences and Humanities. In 2025 she was named a Killam Prize winner. Sharpe is currently working on What Could a Vessel Be? (FSG/Knopf, Canada 2027) and Black. Still. Life. (Duke 2027). Her writing has appeared in many artist catalogues and journals including Frieze, Paris Review, Harpers, BOMB Magazine, and The Funambulist.

christina sharpe profile photo

Speakers


Glen Coulthard profile photo

Glen Coulthard

(Yellowknives Dene/Canada), Scholar of Indigenous Studies

Glen Coulthard is Yellowknives Dene and an associate professor in the First Nations and Indigenous Studies Program and the Departments of Political Science at the University of British Columbia. He is the author of Red Skin, White Masks: Rejecting the Colonial Politics of Recognition (Minneapolis: University of Minnesota Press, 2014), winner of the 2016 Caribbean Philosophical Association’s Frantz Fanon Award for Outstanding Book, the Canadian Political Science Association’s CB Macpherson Award for Best Book in Political Theory, published in English or French, in 2014/2015, and the Rik Davidson Studies in Political Economy Award for Best Book in 2016. He is also a co-founder of Dechinta Centre for Research and Learning, a decolonial, Indigenous land-based post-secondary program operating on his traditional territories in Denendeh (Northwest Territories).

The history of colonialism on Yellowknives Dene First Nation territory is inextricably tied to the discovery of gold in the late 1800s, the dawn of commercial aircraft and the subsequent emergence of the City of Yellowknife as the political, economic and administrative hub of northern colonial governance. Resource extraction, air traffic and urban expansion have introduced noisescapes into the everyday lived experienced of my people and the land upon which and from which we have made life since time immemorial. Gold mining on our territory has left a profound legacy of environmental destruction and the loss of life—human and more-than-human—as a result of the arsenic that has contaminated our land, water and bodies.

These profound noisescapes have politically, economically and materially disrupted the life-giving relations that have sustained Dene over generations. Yet in spite of the toxic violence of noise, these sustaining relations persist—the auditory nature of which can in many ways be articulated through the resistance of drumming - a practice meant to channel the heartbeat of land into the hands, voices and ears of Dene gathered together.


Canisia Lubrin profile photo

Photo credit ©️ Rachel Eliza Griffiths

Canisia Lubrin

(St. Lucia/Canada) Poet

Canisia Lubrin is the author of five books, including Voodoo Hypothesis, The Dyzgraphxst, The World After Rain (2025), and Code Noir. Her honours include a 2021 Windham-Campbell Prize, OCM Bocas Prize for Caribbean Literature, Griffin Poetry Prize, Derek Walcott Prize, and the Danuta Gleed Literary Award. Lubrin has been twice a finalist for the Governor General’s Literary Award. She is the coordinator of the University of Guelph Creative Writing MFA and poetry editor at McClelland & Stewart. Code Noir, her fiction debut, winner of the 2025 Carol Shields Prize for Fiction, has 59 drawings by celebrated visual artist Torkwase Dyson.

Enter, again, the Haitian Revolution. If the measure of revolt is conclusion and consequence, what are the soundings at the genesis of revolution? What happens when the heart goes first, when language answers, when the structures of a lifeworld follow the noise and bombast, the philosophies of refusal, and the embodied effects of the sobering, questioning wild toward repair? Bois Kayiman and its twelve principles are here the sonic catalogue for thinking about present propagators of collective struggle around the world. Taken here, song, storytelling, and transcendent practices are resonances of a set of cosmic activities, cycles true to Earth living that unveil, extend, mutilate, end, and open worlds. The scales here are the body, the senses and the rebellious mind. The notations are the human capacity for ruin and creation, meaning and paradox. The invitation is to the spaces for scoring the imagination with liberated worldmaking. These bridges are of a feeling cosmos on an Earth of moribund histories calling again and again for transformation. Why?


Madeleine Thien profile photo

Photo credit ©️ Andrew Querner

Madeleine Thien

(Canada) Novelist

Madeleine Thien is the author of a story collection Simple Recipes (2001), and four novels, including Dogs at the Perimeter (2011), Do Not Say We Have Nothing (2016) and The Book of Records (2025). Do Not Say We Have Nothing was shortlisted for the Booker Prize, the Women’s Prize for Fiction and the Folio Prize, and won the Governor-General’s Literary Award for Fiction, among other honours. Her books have been translated into twenty-five languages, and her stories and essays have appeared in The New YorkerGrantaTimes Literary SupplementThe New York Review of Books, and elsewhere. As a librettist, she created Chinatown, a full-length opera by Alice Ping Yee Ho and Paul Yee; and collaborates on a range of chamber works. She was a 2021-22 Cullman Fellow at The New York Public Library; and in 2024, received the Engel-Findley Award, honouring a writer in mid-career, from the Writers’ Trust of Canada. Born in Vancouver, Madeleine lives in Montreal and teaches part-time at Brooklyn College at The City University of New York.

The quiet, quietude, quietness. What does it mean to wait in the quiet? “One day,” writes Mahmoud Darwish, “I will be a thought that no sword nor any book will bear to the wasteland.” 

For a long time, I imagined literature as a hidden reservoir holding images of the time to come. Some books seem to approach us from the road ahead; patiently, or with sorrow, or with recognition, they have awaited our coming. In this present moment, I am thinking about the reservoir, about the place we maintain for one another, the quietness which we are not able to perceive even though it is always with us. I am thinking, too, about touch. Not the touch that injures but the one that holds, or that tries, for the briefest of moments, to offer itself as a home in this world.


Immanuel Wilkins profile photo

Photo credit ©️ Joshua Woods

Immanuel Wilkins

(US) Saxophonist, Composer, Arranger

Saxophonist, composer and educator Immanuel Wilkins burst onto the musical scene in 2020 with his Blue Note debut, Omega which was named the best jazz release of 2020 by the New York Times. Constantly seeking out creative connections within and outside the world of Jazz, Wilkins has worked with filmmakers Cauleen Smith & Ja’Tovia Gary; the sculptrice Kennedy Yanko; the painter Leslie Hewitt and the interdisciplinary artist, Theaster Gates. These collaborations have played a decisive role in his ever-expanding aesthetic vision. In 2022, Wilkins released  his sophomore album on Blue Note, The 7th Hand.  Like his debut release, it topped numerous year-end lists. In 2023, Wilkins was awarded with three Downbeat Critics Poll Awards including Best Alto Saxophonist and in 2024 his quartet won the prize for best international live act by the Deutscher Jazz Preis. In Fall 2024 Wilkins released his 3rd and arguably his most adventurous recording to date: Blues Blood. Co-produced by Meshell Ndegeocello, Wilkins latest album features his quartet along with vocalists Yay Agyeman, Ganavya and June McDoom and special guests: Cécile McLorin Savant, Chris Dave and Marvin Sewell. Blues Blood was nominated for best international recording of the year by the Deutscher Jazz Preiss and the Edison Jazz in the Netherlands and was among the 3 finalists for the L’Académie de Jazz’s “Prix Évidence." In 2024, Immanuel was also honored by the editors of Jazz News and Jazz Magazine as the best international jazz musician of the year.

Examines music as a portal into time, spiritual practice, and ancestral memory, a space to think about immaterial archives — affective sites of memory and transmutation held within the body. Drawing on his compositional and improvisational practice, Immanuel Wilkins will trace through his last two projects — The 7th Hand and Blues Blood with insight into his process of building out a sonic universe and the potential for sound to carry and to hold.

Past Events

October 30, 2024

All of us who are drawn to cities imagine them as much as find them. We imagine places for collective living, art and community making. What we find is that we are pushed out by capital, condofication, and financialization. What are the cities of our dreaming? Who lives there and how do we live there? The city of our dreaming is one of our collective inhabitation.

The four speakers for The City of Our Dreaming imagined the architectures and infrastructures that make possible, inevitable, and irresistible, gestures of freedom, modes of sustenance and the necessity and pleasure of breaking bread together.

Hosted by Christina Sharpe – Professor, Canada Research Chair in Black Studies in the Humanities, Andrea Davis – Associate Vice President EDI, Wilfrid Laurier, Jan Anderson – Assistant Professor of English, Trent University and Ravi de Costa – Associate Dean of LA&PS.

Watch for the book edition of The Alchemy Lecture, available September 23, 2025.

November 2, 2023

The Canada Research Chair in Black Studies in the Humanities, the Faculty of Liberal Arts & Professional Studies, and York University were proud to be hosting the Second Annual Alchemy Lecture.

The lecture was delivered by five renowned alchemists: Joseph M. Pierce, Phoebe Boswell, Cristina Rivera Garza, Saidiya Hartman and Janaína Oliveira.

Watch for the book edition of The Alchemy Lecture, published in September 2024.

November 10, 2022

The lecture was delivered by four renowned alchemists: Dele Adeyemo (UK) architect, creative director, and urban theorist; Natalie Diaz (US/Mojave/Akimel O’otham) poet, MacArthur Foundation Fellow and Founding Director of the Center for Imagination in the Borderlands, Arizona State University; Nadia Yala Kisukidi (France) Associate Professor in philosophy, Paris 8 Vincennes-Saint-Denis University; and Rinaldo Walcott (Canada) Writer, and Professor in the Women and Gender Studies Institute, University of Toronto.

Watch for the book edition of The Alchemy Lecture, published in October 2023.