Future Cinema

Course Site for Future Cinema 1 (and sometimes Future Cinema 2: Applied Theory) at York University, Canada

Question for class, Oct. 25

In his writing on cinema in the age of the digital baroque, Murray sees digital aesthetics as promising an “enhanced zone of interactivity through which the users’ entry into the circuit of artistic presentation simulates or projects their own associations, fantasies, and memories in consort with the artwork” (98). Is this result of inhabiting “the [...]

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